ENTERTAINERS
Comedians
Choreographer
Magicians
Managers
Musicians
Radio & Television
Rock N’ Roll
Singers
Symphony Conductors
Ventriloquists
Voices
Harlem Globetrotters
COMEDIANS
Don Adams (Get Smart)
Joey Adams (born Joseph Abramowitz)
Marty Allen ( born Morton David Alpern)
Woody Allen (born Allen Stewart Konigsberg)
Morey Amsterdam
Richard Jay Belzer Munch Law& Order SVU
Jack Benny (born Benjamin Kubelsky)
Milton Berle
Shelley Berman
Joey Bishop (born Joey Gottlieb)
Victor Borge ( born Borge Rosenbaum)
David Brenner
Mel Brooks (Born Melvin Kaminsky)
Albert Brooks (Albert Lawrence Einstein)
Lenny Bruce (born Leonard Schneider)
George Burns (born Nathan Birnbaum)
Red Buttons (born Aaron Chwatt)
Sid Caesar (born Isaac Sidney Caesar)
Eddie Cantor (born Isadore Iskowitch)
Jack Carter (born Jack Chakrin)
Myron Cohen
Billy Crystal
Bill Dana “Jose Jimenez” (born Wiliam Szathmary)
Rodney Dangerfield (born Jacob Cohen)
Bud Flanagan (Weinthrop)
Phil Foster (born Philip Feldman)
David Frye (born David Friedman)
Jack Gliford (Jack Gellman)
Shecky Green
Buddy Hackett (born Leonard Hacker)
Peewee Herman (born Paul Rubenfeld )
Marty Ingels
Lou Jacobi (born Louis Jacobovitch)
George Jessel
Milt Kamen
Gabe Kaplin
Stubby Kaye
Alan King (born Irwin Kniberg)
Harvey Korman
Jack Kruschen
Bert Lahr (born Irving Lahrheim)
Pinky Lee (born Pincus Leff)
Harvey Lembeck Stalag 17
Jack E Leonard
Jerry Lester
Sam Levinson
Jerry Lewis (born Joseph Levitch)
Muscular Dystrophy Telethon My Friend Irma, The Caddy, At War With the Army, Pardners, Cinerfella,
Disorderly Orderly, The King of Comedy.
Marx Brothers (Chico-Leonard),(Groucho-Julius),
(Zeppo-Herbert) (Gummo-Milton)(Harpo-Arthur)
Jacky Mason
Howard Morris Your Show of Shows
Jan Murray (born Murray Janofsky)
Super Dave Osborn (Bob Einstein)
Harold Allen Ramis Ghostbusters, Caddyshack, Ground Hog Day
Carl Reiner
Rob Reiner
Don Rickles
Ritz Brothers (Harry, Al, Jim Ritz)
Freddie Roman (born Fred Kirschenbaum)
Mort Sahl
Soupy Sales (born Milton Hines)
Al Schacht
SEINFELD -Jerome Allen “Jerry” Seinfeld,
Jason Alexander (Jason Scott Greenspan)
Peter Sellers
Alan Sherman
Phil Silvers (born Phil Silversmith)
Smith & Dale (Joseph Seltzer & Charles Marks)
Arnold Stang
David Steinberg
Three Stooges Curly, Moe, Shemp (Jerome, Maurice, Samuel Horowitz) + Larry Fine
Larry Storch
Gene Wilder (Jerome Silberman)
Ed Wynn (born Isaiah Leopold)
Henny Youngman
COMEDIENNES
Bea Arthur
Shelley Berman
Fannie Brice (born Fania Borach)
Elizabeth Louis-Dreyfus
Totie Fields (born Sophie Feldman)
Louise Lasser Mary Hartman, Mary Hartman
Elaine May
Gilda Radner Second City, National Lampoon, Saturday Night Live
Martha Raye
Joan Rivers (born Joan Molinsky)
CHOREOGRAPAHER
Michael Kidd (born Milton Greenwald) Choreographer
Guys and Dolls, Finian’s Rainbow, Lil’Abner,
Destiny Rides Again
MANAGERS
Irving Azoff Manager for the Eagles
Brian Epstein Beatles, Gerry and the Pacemakers
Sol Hurok (Solomon Israilevich Hurok; born Solomon Izrailevich Gurkov,S. Hurok Sol Hurok Presents managed many performing artists, including Katherine Dunham, Marian Anderson, Irina Arkhipova, Vladimir Ashkenazy, Feodor Chaliapin, Nestor Mesta Chayres,[3] Van Cliburn, Isadora Duncan, Michel Fokine, Margot Fonteyn, Emil Gilels, Alexander Glazunov, Horacio Gutiérrez, Daniel Heifetz, Jerome Hines, Isa Kremer, Moura Lympany, Arturo Benedetti Michelangeli, David Oistrakh, Anna Pavlova, Jan Peerce, Andrés Segovia, Sviatoslav Richter, Manuela del Río, Mstislav Rostropovich, Arthur Rubinstein, Isaac Stern, Galina Vishnevskaya, Ralph Votapek, Efrem Zimbalist, and many others.
Allen Klein Sam Cooke, Rolling Stones, Beatles
Izzy Young, produced Bob Dylan’s first major concert, at Carnegie Chapter Hall in New York City on Saturday, November 4, 1961.[4][5] Bob Dylan wrote a song about the store and Young entitled "Talking Folklore Center".
Jon Landau
Manager and co-produced Bruce Springsteen Born to Run, Human Touch, an Lucky Town.
Top 11 Jewish Magicians and Illusionists
1. Harry Houdini: Undeniably the greatest magician of all time. How he performed some of his acts is still a mystery today.
2. David Copperfield: Vegas magician who has more total earnings than any other magician.
3. David Blaine: Street magician and endurance artist. Some call him the modern day Houdini.
4. Uri Geller: Illusionist in the 1980s known for his spoon bending “psychic powers.”
5. Max Maven: Innovator of mentalism and hosted a 12 part series called “Something Strange with Max Maven.”
6. David Berglas: Mentalist and psychological illusionist.
7. Abraham Hurwitz: Named New York City’s “Official Magician” by former mayor La Guardia.
8. Fred Kaps: Only person to win the Fédération Internationale des Sociétés Magiques three times.
9. Max Malini: Magician who performed for several presidents and at Buckingham Palace.
10. Herb Zarrow: Invented the Zarrow Shuffle, a way to do fake card shuffles.
11. Ballantine (born Meyer Kessler)
MUSICIANS
Nine Jews Who Changed the Sound of Jazz
Jazz originated in the late 19th and early 20th centuries in African-American communities — most notably in New Orleans. As it spread, the music began to draw on different traditions, including the work of Jewish composers who populated Tin Pan Alley.
JAZZ
Barney Josephson opened Cafe Society in 1938, but the music he featured (and is featured in the play “Cafe Society Swing”) has been around much longer.
Jazz originated in the late 19th and early 20th centuries in African-American communities — most notably in New Orleans. As it spread, the music began to draw on different traditions, including the work of Jewish composers who populated Tin Pan Alley.
Because it took in so much from so many places and changed so much from its origins, Jazz might easily be called the Yiddish of musical forms. It includes everything from ragtime to be-bop to big band, and in most of these incarnations the Jewish impact was large. Here are 9 Jewish artists who helped shape the many different sounds of jazz:
1. Willie “The Lion” Smith (1893-1973)
An early jazz great, pianist Smith was the son of a Jewish father, Frank Bertholoff. He apparently learned Hebrew from a rabbi for whom his mother worked, and according to all accounts was a bar mitzvah at age 13. In fact, he told Nat Hentoff, “People can’t seem to realize I have a Jewish soul and belong to that faith.” According to his autobiography, later in life he served as a cantor for a black Jewish congregation in Harlem.
2. Teddy Charles (1928-2012)
Born Theodore Charles Cohen, Teddy was an influential percussionist (most
famously on the vibraphone) and composer. He was also a much sought-after
session musician who played with Miles Davis, Charles Mingus and others.
3. Benny Goodman (1909-1986)
The King of Swing was one of 12 children of immigrants from Poland and Lithuania. His first clarinet lessons were at a local Chicago synagogue. Frankly, because he was white, he helped make jazz acceptable, especially with his famous 1938 concert at Carnegie Hall, the first jazz show thre. He also had the first integrated band, which helped black artists such as Lionel Hampton and Teddy Wilson get their starts.
4. Herbie Mann (1930-2003):
Herbert Jay Solomon was born in Brooklyn, and got his first professional gig at age 15 in the Catskills. His was a rare career in a couple of ways. For one thing, he had a number of Billboard top 200 albums, a level of mainstream success that has eluded most jazz artists. But even odder was that the success came from a flautist, which is hardly a common jazz instrument.
5. Stan Getz (1927-1991)
Born Stanley Gayetzky in Philadelphia and raised in New York, Getz was among the most popular jazz musicians of the 1960s and ‘70s. A child prodigy, he played in Jack Teagarden’s band, but because Getz was just 16 he had to become Teagarden’s ward. There followed stints with other bands and even bigger success as a single artist. But success — especially early success — had drawbacks. He became addicted to alcohol and drugs while still a teenager, and was once arrested for breaking onto a pharmacy to steal morphine, while his wife was giving birth to a child. He lived in Copenhagen for a while to get as far away from the drug scene as he could.
6. Lee Konitz (1927- )
A saxophonist and composer, Konitz is noted for his improvisational skills and association with the cool jazz movement more famously typified by Miles Davis. In fact, he participated in Davis’s “Birth of Cool” sessions. Although he’s had health issues, Konitz still offers rare live performances, including this performance below last month in Paris.
7. Buddy Rich (1917-1987)
One of the greatest jazz drummers of all time, Buddy Rich never took a drum lesson. In fact, he said instruction would only hurt his style. Known almost as much for his temper as his playing, some of his outbursts were used by Jerry Seinfeld and Larry David almost verbatim on their TV show, “Seinfeld.”
8. Artie Shaw (1920-2004)
Arthur Jacob Arshawsky, along with Benny Goodman, is considered one of the great jazz clarinetists. He was also a composer and leader of a popular swing band and enjoyed great success following his recording of Cole Porter’s “Begin the Beguine.” He’s known, too, for hiring Billie Holiday as his vocalist for a tour in the South. Unfortunately, Holiday had to leave because of the hostility she faced from southern audiences. Also of note: Shaw went through eight marriages, numbering both Lana Turner and Ava Gardner among his brides.
9. John Zorn (1953- )
While Zorn is best known as a jazz musician and avant-garde composer, that’s too confining a description for man who has made film and concert music as well as jazz compositions that prompted Down Beat magazine to label him as “one of our most important composers.” Many of his movie scores were for documentaries of Jewish interest and were subsequently recorded on his own label, Tzadik records. In 1992, he created a moving, seven-composition piece called Kristallnacht. He further explored his Jewish heritage by setting a goal of writing 100 compositions based largely on klezmer within a year. He ultimately created over 500 songs that became known as the Masada Songbook, enough material for 10 albums, which he continues to perform.
Robert Berg was a jazz saxophonist originally from Brooklyn, New York City. Miles Davis, Chick Corea, Steve Gadd and Eddie Gómez
Sheila Bromberg Harpist. The first woman to perform on a Beatles album “? She’s Leaving Home”
David Liebman (born September 4, 1946) is an American saxophonist and flautist.[1]
In June 2010, he received a NEA Jazz Masters lifetime achievement award from the National Endowment for the Arts (NEA). r, Worked with Elvin Jones, Miles Davis Bob Moses, Richie Beirach Chick Corea,
Izzy Young, who produced Bob Dylan’s first major concert, dies at 90
FEBRUARY 6, 2019 3:03 PM
Izzy Young (at back) poses at his Folklore Center in Greenwich Village with, from left, music historian Sam Charters and blues musicians Memphis Willie B., Furry Lewis, and Gus Cannon. (Photo by Ann Charters)
(JTA) — Izzy Young, the folk music promoter and archivist who produced Bob Dylan’s first major concert at Carnegie Chapter Hall in 1961, has died.
Young died Monday at his home in Stockholm. He was 90.
Israel Young was born in 1928 to Polish immigrants on the Lower East Side. His mother inspired him with Yiddish songs and he worked at his father’s bakery in Brooklyn.
When Izzy opened the Folklore Center in New York’s Greenwich Village in 1957, he wanted it to be a combination of all his passions. It was a music store, a bookstore, an archive, a place where artists could sit for hours listening to old recordings, writing or schmoozing. Young became a mentor to many of the most renowned beat poets and folk musicians of that era.
Dylan immortalized Young in the 1969 song “Talking Folklore Center”:
“On MacDougal Street I saw a cubby
hole,
I went in to get out of the cold,
Found out after I’d entered
The place was called the Folklore Center —
Owned by Israel Young —
He’s always in back —
Of the center.”
Young closed the Greenwich Village shop in 1973 and moved to Stockholm, where he started a similar enterprise, the Folklore Centrum.
In 2016, Young shipped 20 boxes to the American Folklife Center in Washington, D.C. Inside were journals, manuscripts, photographs and recordings of some of America’s greatest musicians, including Pete Seeger and Dylan.
Top 12 Jewish Jazz Musicians and Bandleaders
1. Benny Goodman: Known as the “King of Swing.” Clarinetist and big band leader.
2. Buddy Rich: (born Bernard Buddy Rich) Big band leader. Regarded as one of the greatest drummers of all time.
3. Artie Shaw: (born Arshawsky) Jazz clarinetist, composer and big band leader.
4. Stan Getz: West coast jazz musician and one of the greatest tenor saxophonists of all time.
5. Paul Whiteman: Leader of one of the most successful jazz bands in the 1920s.
6. Herb Alpert: Latin jazz band leader Herb Alpert & the Tijuana Brass.
7. Harry James: Big band leader and master of the trumpet.
8. Ziggy Elman: Jazz trumpeter in Benny Goodman’s band.
9. Zoot Sims: Jazz tenor and soprano saxophonist.
10. Kenny G.: Kenneth Bruce Gorelick Soprano saxophonist
11. Herbie Mann born Herbert Jay Solomon Flute
12. Woodie Herman
Other Jewish Jazz performers
Omar Avital Bassist
Bagelman Sisters
Yuri Caine Philadelphia PA.
Diahann Cannon (Friesen’s sister)
Red Rodney Chudnick
3 Cohens Anat Cohen clarinet Sax Ebeshy Cohen Yuval Cohen
Qbashy Cohen Bassist for Chick Korea
Sammy Cohn
Eddie Daniels
Oren Ekan clarinet
Anat Forte
David Friesen
Aaron Goldberg
Lawrence Hart
Amos Hoffman
Syyip Huber
Barney Kessel
Lee Kornmetz
Elliott Kunselman
Dave Liebman
Bob Mintzer
Bob Modler
Abel Myrapole
Dida Pella
Jerry Sherman
Alex Skolnick (heavy metal)
Yetan Silverstein Tel Aviv
Mike Stern
Jazz Producers
Norman Granz
Norman Granz was an American jazz record producer and concert promoter. He founded the record labels Clef,
Norgran, Down Home, Verve and Pablo. Granz was acknowledged as "the most successful impresario in the history of jazz".[1] Granz is also known for his anti-racist position and for integrating audiences.
Many of the names that made history in jazz signed with one of Norman Granz's labels, including Louis Armstrong, Ella Fitzgerald, Count Basie, Louie Bellson, Benny Carter, Buck Clayton, Buddy DeFranco, Roy Eldridge, Herb Ellis, Tal Farlow, Stan Getz, Dizzy Gillespie, Lionel Hampton, Coleman Hawkins, Johnny Hodges, Billie Holiday, Illinois Jacquet, Hank Jones, Gene Krupa, Anita O'Day (the first artist to sign with Verve), Charlie Parker, Joe Pass, Oscar Peterson, Flip Phillips, Bud Powell, Buddy Rich, Sonny Stitt, Slim Gaillard, Art Tatum, Ben Webster and Lester Young
CONDUCTOR
Eugene Ormandy ( born Jeno Blau)
GUITAR
Carlos Santana (Converso)
Lenny Kravitz
PIANO
Artur Rubinstein,
Vladimir Horowitz,
Artur Schnabel
Wanda Landowska
Rudolf Serkin,
Andras Schiff,
Evgeny Kissin,
Yefim Bronfman,
Murray Perahia,
Richard Goode,
Emanuel Ax,
Bennett Lerner
CONDUCTOR
Eugene Ormandy ( born Jeno Blau)
DRUMS
Buddy Rich (born Bernard Buddy Rich)
FLUTE
Herbie Mann (born Herbert Jay Solomon)
GUITAR
Carlos Santana (Converso)
Lenny Kravitz
PIANO
Artur Rubinstein,
Vladimir Horowitz,
Artur Schnabel
Wanda Landowska
Rudolf Serkin,
Andras Schiff,
Evgeny Kissin,
Yefim Bronfman,
Murray Perahia,
Richard Goode,
Emanuel Ax,
Bennett Lerner
SAXOPHONE
Kenny Gee, (born Kenny Bruce Gorelick)
Herb Geller
Stanley Goetz (born Stanley Gayetzky) Jazz Hall of Fame.
TRUMPET
Herb Alpert Tijuana Brass
Ziggy Elman (born Harry Aaron Finkelman)
Harry James
violin
Jascha Heifetz
Yitzhak Perlman,
Mischa Elman,
Isaac Stern,
Gil Shaham,
Leonid Kogan,
Nathan Millstein,
David Oistrakh,
Maxim Vengerov
Erica Morini,
RADIO - TV - PERSONALITIES
Mel Allen (born Melvin Israel) Voice of Yankees Baseball
Anthony Michael Bourdain starred in programs focusing on the exploration of international culture, cuisine.
Dr. Joyce Brothers
Myron Cope Yoy, Double Yoy, Football Hall of Fame
Howard Cossell
Simon Phillip Cowell Idol, America’s Got Talent
Kathy Lee Gifford
Monty Hall (born Monty Halparin) Lets Make a Deal
Larry King Talk show host
Ann Landers (born Esther Friedman)
Chuck Lorre born Charles Michael Levine;
Grace Under Fire, Cybill, Dharma & Greg, Two and a Half Men, The Big Bang Theory, MOM, Young Sheldon
Jeffrey Lee Probst host of Survivor
Morely Safer 60 Minutes
Jon Taffer (born Jonathan Peter Tafer) Bar Rescue
Abigail Van Buren (born Pauline Friedman)
Mike Wallace (born Myron Wallace)
Barbara Walters
Walter Winchell (born Walter Weinschell)
TELETHONS
In 1949, Milton Berle, hosted the first ever telethon, raising $1,100,000 for the Damon Runyon Cancer Research Foundation over 16 hours.
Television executive Leonard Goldenson and his wife had a daughter with Cerebral Palsy, and launched the United Cerebral Palsy Telethon in 1950, with Dennis James as host.
The best known telethon was the Muscular Dystrophy Association Labor Day Telethon, hosted by Jerry Lewis.
ROCK N’ ROLL
The Jews Who Rock Wiki
The Jews who Rock Wiki. It's a long, long list of every more-or-less bigtime Jew in music. It was lovingly, painstakingly compiled by Jewcy's own Izzy Grinspan, and we now bring it to the public to help us fill in any remaining omissions. Know of anyone who should be on the list, but isn't? Add them! Tell us about them!
Rock N Roll
A Jew, Albert James “Alan” Freed, is commonly referred to as the "father of rock'n'roll" due to his promotion of the style of music, and his introduction of the phrase "rock and roll”
Kenny
Aaronson
Bassist Kenny Aaronson has played with a long list of rock luminaries, among
them Bob Dylan, Hall & Oates, Rick Derringer, Foghat, Sammy Hagar, Billy
Idol, Joan Jett, and the Rolling Stones. In the early seventies he was a member
of the band Stories, which scored a number-one hit with the interracial love
song "Brother Louie" in the summer of 1973. Aaronson was raised in
Brooklyn.
Paula
Abdul
Former cheerleader for the L.A. Lakers, now the arbiter of our country’s talent
on "American Idol." Abdul began her career in music choreographing
for Janet Jackson, but when Jackson complimented her voice, she used the
earnings from her dance work to record "Forever Your Girl." Four of
the album’s tracks went to the top of the charts: "Straight Up,"
"Cold-Hearted," "The Way That You Love Me," and
"Opposites Attract," which may be the only number-one hit ever to
have a video co-starring a large animated cat in suspenders. Paula Abdul is
often counted among the many half-Jewish American celebrities, but she’s
actually one hundred percent: her father is a Syrian Jew, while her mother is
Jewish and French-Canadian. The Forgotten Exodus, a campaign on the behalf of
Jews who have had to flee Arabic countries, uses her image on one of its
posters.
Lou
Adler
It shouldn’t come as a surprise that the man who brought The Rocky Horror
Picture Show to the American screen was also a rock manager. Lou Adler
began his career working with Herb Alpert, fellow member of the tribe, as
co-manager of the surf group Jan and Dean. Soon he and Alpert were writing
songs together under the name Barbara Campbell, but the partnership ended in
1964, when Adler founded his own record label, Dunhill Records. Dunhill found
some success with the song "Eve of Destruction," by two songwriters
on the label, but its real triumph was in signing the Mamas and the Papas.
Ever-foresighted, Adler eventually sold Dunhill to ABC in order to focus more
on planning (and recording) the Monterey Pop festival. The recordings made him a
rich man, and he went on to found the label Ode, signing Carole King and producing her album Tapestry.
In 1974 he brought over the British theatrical version of Rocky Horror and
produced it as a film; not long after, he began managing the careers of two
stoner humorists named Cheech and Chong.
Aerosmith
Rumors abound (mostly on neo-Nazi websites) about the Jewish background of
Aerosmith lead singer Steven Tyler, but whether or not Liv’s dad is a chosen
person, it’s certain that drummer Joey
Kramer was once a nice Jewish boy. Kramer, who counts Jon Bonham as a major
influence, was born in the Bronx. As one of the few Jewish kids in a
predominately Italian school, he hung around a group of tough older boys for
protection; these bigger kids eventually inspired him to take up the drums. He
hit upon the band name "Aerosmith" while still in high school,
possibly inspired by Harry Nilsson's album Aerial Ballet. When two guys
he knew in Boston invited him to be in a band with his old friend Steven,
Kramer accepted, contributing both his simple yet powerful drumming style and
the name Aerosmith.
Alisha
One of the many mono-monikered pop stars of the eighties, Alisha was only
fifteen when her self-titled album became a hit in 1985. "All Night
Passion," the first single, quickly became a dance club favorite. It was
followed soon after by "Baby Talk," the bassline of which sounds an
awful lot like "Into The Groove." When "Baby Talk" rose up
the Billboard charts, the Brooklyn-born Alisha gained the dubious distinction
of being the first dance diva ever to be dismissed as a wannabe Madonna.
Herb
Alpert
Herb Alpert was a musical mensch on both sides of the business, founding the
wildly successful A&M records and playing trumpet as one of its acts. Born
in LA in 1935, Alpert began his music career writing songs with Lou Adler,
including the Sam Cooke hit "Only Sixteen." He founded A&M
records with Jerry Moss in 1962; the label’s artists would ultimately range
from the Carpenters to Cat Stevens to Janet Jackson and would include Alpert’s
own group, the Tijuana Brass. Playing a south-of-the-border style known as
"Ameriachi," Herb Alpert and the Tijuana Brass released ten Top 20
albums during the sixties.
All
Saints
Three out of the four members of the now-defunct British teen pop ensemble All
Saints were Jewish: England-born Melanie Blatt and Canadian sisters Natalie and
Nicole Appleton. Their single "I Know Where It’s At" reached number
four in the British charts in 1996, entered the top 40 in the United States in
1997, and was a hit in Europe and Asia. By 1998, their self-titled album had
gone platinum; their second effort, Saints and Sinners, was released in
2000 and also entered the charts. All three Jewish members of All Saints have
gained media attention for their romances with fellow British rock stars:
Melanie Blatt is married to Jamiroquai bassist Stuart Zander, Natalie
Appleton’s husband is Liam Howlett of the Prodigy, and Nicole Appleton has a
baby, Gene, with Liam Gallagher of Oasis.
Anthrax
Scott Ian of Anthrax has managed to thrash his way into hard rock history
despite being short and Semitic. Starting with 1984’s Fistful of Metal
and continuing through the eighties, Anthrax set the standard for speed metal
with lighting-fast guitar work and heavy vocals. Even as a metal god, Ian never
forgot his heritage, referring to himself in conversation regularly as
"the Jew." But depending on your definition of Judaism, Ian isn’t the
only Yid in Anthrax. Born Jewish, guitarist Dan Spitz has been a Jew for Jesus
since 2001.
The
Archies
Jews were making bands long before Making the Band. Just look at the
Archies, a pre-fab ensemble concocted around the blueprint of the popular
cartoon and best known for the infectious 1969 hit "Sugar, Sugar."
Archie, Jughead, and Betty surely weren’t Jewish (though the jury is still out
on Veronica), but the band’s mastermind Don Kirschner and producer Jeff Barry
were indeed members of the tribe. And while none of the actual musicians in the
Archies identified themselves as Jews, backing vocalist Andy Kim looks Jewish –
he’s the spitting image of Neil Diamond, but he’s actually Lebanese.
Army of
Lovers
Swedish pop groups tend to be about as Jewish as Creed, but two of the
Scandinavian pranksters in Army of Lovers were of Yiddish persuasion.
Ex-hairdresser Jean-Pierre Barda is French-Algerian and Jewish, while former
phone-sex operator Dominika Peczynski is a Polish-Russian Jew. In the late
eighties, these Euro Jews and their colleagues delighted the continent with
their high camp disco. By 1993, however, they had crossed the line from fame to
infamy when their single "Israelism" was accused of mocking Jewish
culture. The Army swore that the track, which added a much-needed backbeat and
rap section to "Havenu Shalom Aleichem," celebrated Judiasm;
naturally, while the controversy raged in Europe, the song went to the top of
the charts in Israel.
Asleep
at the Wheel
Despite their incredibly emo band name, Asleep at the Wheel is not made up of
four sad nineteen-year-olds from New Jersey; instead, the band is composed of
an ever-shifting number of Western swing musicians. At 6’7", lead singer
Ray Benson is somewhat of a Jewish giant. Also Jewish is the band’s steel
guitarist, Lucky Oceans (who was born with the far more plausible name Reuben
Gosfield). Asleep at the Wheel has been playing songs in the style of Merle
Haggard and Bob Wills since 1970. Their discography, which includes the 1975
hit record Texas Gold, 1978’s Collision Course, and their 1987
comeback album, Asleep at the Wheel 10, has earned them a whopping nine
Grammy awards over the course of their career.
Elan
Atias
Elan Atias may not be the most famous person to front the Wailers, but he’s
definitely more Jewish than Bob Marley. In 1997, when the Orthodox Atias was
22, he was picked as one of many in a succession of post-Marley lead singers
for the Wailers. Atias has also toured with Santana and played with members of
No Doubt. His recent cover of Roxy Music’s "Slave to Love" featured
Gwen Stefani on backing vocals, and he is currently working with Tony Kanal on
new tracks due out this year.
The Bad
Livers
The Bad Livers may have been the most experimental neo-country band ever to
come out of Austin. Alongside banjo-players and guitarists Danny Barnes and Bob
Grant, Jewish bassist and tubist Mark Rubin helped create a sound that brought
both punk influences and sampling techniques to bluegrass. Rubin was raised in
rural Oklahoma and grew up listening to klezmer – yet another of the diverse
musical traditions the Livers added to their eclectic Austin country.
Bad
Religion
Brett Gurewitz fits the model of other Jewish musicians with record labels, but
with one notable exception: his label, Epitaph, is one of the most influential
in punk rock. Gurewitz was raised Jewish but had become disillusioned enough by
the time he was fifteen to name his band Bad Religion. Founded in 1980, the
band has a lifespan unrivaled in the fast-moving world of hardcore: Despite
several lineup changes and a long hiatus on Gurewitz’s part, Bad Religion is
still around today. Gurewitz’s other project, Epitaph Records, has exhibited
equal stamina. Epitaph was founded in 1983 as a way for Bad Religion to release
its records. By the early nineties, the label had a number of hit bands; today,
its roster ranges from the indie hip-hop of Sage Francis to the Swedish
neo-garage group the Hives.
The Band
In addition to backing Robert Zimmerman on what would eventually become the
Basement Tapes, the Band had their own Jewish star. Robbie Robertson, who played rhythm guitar and wrote most of the
Band’s songs, was born in Canada in 1944 to a Mohawk mother and a Jewish
father. He was recruited to be a member of Ronnie Hawkins’ rockabilly band the
Hawks; as the Hawks morphed into the Band, Robertson morphed into its most
recognized member. The band gained popularity as Dylan’s backing group, but
proved their chops with their own Music from Big Pink in 1968. After
permanently making his mark on American music with four more albums, Robertson
went on to score several Martin Scorsese films, including Raging Bull.
The
Bangles
Who knew that the voice behind "Walk Like an Egyptian" grew up
singing at Passover seders? Lead Bangle Susanna Hoffs is an L.A. Jewish girl
who formed the band in 1981 by placing a want ad. Originally called
"Colors" and then "the Supersonic Bangs," the group settled
on their name when they learned that "the Bangs" was already taken.
Their Different Light garnered national attention with the
Prince-written "Manic Monday," and subsequent hits included their
cover of fellow-Semites Simon and Garfunkel’s "Hazy Shade
of Winter," the perennial karaoke favorite "Eternal Flame," and
of course, the aforementioned track about the land of Mizrayim, which was
number one on the charts in 1985.
The
Barenaked Ladies
These Toronto boys played for years before their breakthrough hit, "One
Week," climbed the charts in 1998. The band formed in 1988, taking their
name from an old joke the vocalists had shared at a Bob Dylan concert as teens (they were
inventing fictional bands with goofy names due to sheer boredom – Dylan wasn’t
at his best back then). For most of the nineties, the Barenaked Ladies were a
cult act, charming college kids with silly pop songs like "Be My Yoko
Ono," but 1998’s Stunt brought them into the mainstream. Jewish
frontman Steven Page recently included three Chanukah songs on the band’s
holiday album Barenaked for the Holidays, and all five Ladies refrain
from touring during the Jewish holidays.
MC Paul
Barman
"My dandy voice makes the most anti-choice granny’s panties moist,"
boasts MC Paul Barman on one track. That’s one way to put it. Barman raps
flowlessly through his nose, dropping filthy but clever lyrics with so little
rhythm that he generally sounds like a parody of a white rapper. But his debut,
It’s Very Stimulating, was produced by Prince Paul, and he’s
collaborated with such hip-hop luminaries as Deltron 3030.
Steve
Barri
Brooklyn-born producer Steve Barri got his start when legendary manager and
label-head Lou Adler took him under his wing.
Barri produced tracks for artists such as Jan and Dean and Johnny Rivers, for
whom he wrote "Secret Agent Man" with his writing partner P.F. Sloan.
As the head of A&R for Dunhill Records, he was responsible for signing
Steppenwolf, Three Dog Night, Steely Dan, Jimmy Buffett, the Four Tops, and
Dusty Springfield. In the early eighties, he began doing A&R for Motown
Records, bringing in Rick James, the Commodores, and Lionel Richie. Barri was known
for producing records with a rich, full sound; some of his greatest hits
include albums by the Four Tops, Mama Cass Elliot, and Smokey Robinson.
Jeff and
Mark Bass
The Bass Brothers – yes, it’s their real name – are the two Jewish guys
responsible for Eminem’s sound. Growing up in Detroit years before Eminem made
Eight Mile Road famous, the Basses got their start young, when the 12-year-old
Jeff and 8-year-old Mark auditioned for a Greyhound commercial. Three years
later, the brothers set off to make their musical fortune with Jeff’s band
Dreamboy. By the early nineties they were producing hip-hop acts; they joined
up with Eminem in 1992 after hearing him on the radio performing at an open
mic. Years later, the Bass Brothers would produce most of the tracks on both Slim
Shady and The Marshall Mathers LP. They also co-write many of Em’s
songs, and when Eight Mile came out, Jeff and Mark Bass shared an Oscar
with Eminem for their work on "Lose Yourself."
The
Beastie Boys
Ad-Rock, MCA, and Mike D. began playing together as a hardcore punk act in the
early eighties, when they were still known as the New York high school kids
Adam Horowitz, Adam Yauch, and Michael Diamond. They were discovered by
legendary rap producer Rick Rubin in 1984, signed to
Rubin’s new label Def Jam in 1985, and catapulted into fame with the release of
the frat-party classic License to Ill in 1986. It would be hard for the
band that wrote "Girls" not to mature on their subsequent albums, but
nobody expected them to become post-modern heroes (their sample-crazy,
Dust-Brothers-produced Paul’s Boutique prefigured Beck's Odelay by
several years) or pious activists (their Tibetan Freedom concerts brought
together huge names in alternative rock throughout the late nineties). Bonus
ancestral note: Adam Horowitz’s father is playwright Israel Horowitz.
The Beat
Farmers
The Beat Farmers were formed in San Diego in 1983 as a country band with an
L.A. punk rock influence. Leader Country Dick Montana recruited a host of
musicians, including Buddy Blue, a Jewish fellow born Buddy Seigel, who played
with the band until 1985, leaving shortly after their debut album was signed to
Curb Records. The Farmers went on to play for the next ten years, collaborating
with such musicians as John Doe of X and the Jewish singer (and former
stripper) Candye Kane, until Montana’s death in 1995.
Beck
Beck’s mother, Bibbe Hansen, was not only Andy Warhol’s youngest Factory
actress but also the daughter of a Jewish mother whose own mother was also
Jewish. As a result, by Halachic rules, Beck Hansen is a Jew, despite a
non-religious background and a recent interest in Scientology. Like his fellow
Jewish pranksters the Beastie Boys, Beck is a master of collage, mixing up
folk, blues, country and funk and layering the whole stew with a hefty dollop
of samples. His first album, Mellow Gold, became a success after 1994’s
"Loser" taught a generation of kids how to explain how incredibly not
cool they were in Spanish. His next big hit was 1996’s Odelay, which
spawned six singles, followed by Mutations in 1998 and the ridiculously
funked-out Midnite Vultures in 1999. In recent years, Beck seems to have
finally shed his perpetual adolescence, releasing the melancholy Sea Change
in 2002 and marrying the actress Marissa Ribisi.
Dan Bern
Dan Bern’s angry, literate folksongs have earned him the "new Dylan"
label, and his tongue-in-cheek riffs on Dylan’s talking blues haven’t exactly
helped shake that comparison. Unlike the former Mr. Zimmerman, though, Bern has
never come close to hiding his Jewish background. He often performs under his
family’s original surname, Bernstein, and his backing band is called the
International Jewish Banking Conspiracy. Bern’s songs have titles like
"Jew from Kentucky" and "My Name is Bernstein" (in which
Bern claims that Jesus was born with the name Jesus Lipshitz), but his most Jewish
lyrical moment might be in "Jewish Guys." When a woman informs him of
Jesus’s many miracles, Bern’s narrator replies, "You don't know a lot
about Jewish guys/ That's just the way we are/ All that stuff they say about
Jesus/ I can do sittin’ in my car."
Biohazard
This Brooklyn metal band is known for being one of the first to incorporate
elements of hip-hop into their sound. Their 1992 album Urban Discipline
gave the band a reputation for beat-heavy songs about the ravages of city life.
Drummer Danny Shuler and bassist/vocalist Evan Seinfeld are both Jewish;
Seinfeld even proclaims his heritage with a somewhat paradoxical Star of David
tattoo.*
Roy
Bittan
See Max Weinberg.
Jack
Black
Jack Black (that’s his real name) grew up in Los Angeles, where he discovered
his acting skills during a game of Freeze after a Passover seder one year.
Black’s career took off after he became a member of Tim Robbins’ acting troupe
at U.C.L.A. As an actor, he has often played musically-inclined roles,
including Barry in High Fidelity and the hero Dewey in School of Rock.
But Black is also a rockstar of sorts as one half of Tenacious D. The joke-rock
duo gots its start with just one song: a tribute to the greatest song in the
world, although not that song itself (because the band had forgotten how that
one went). The D had an HBO series in 1999; it didn’t last long, but Black and
bandmate Kyle Gass have toured the nation twice now and are at work on an
upcoming Tenacious D movie.
Chris
Blackwell
Chris Blackwell founded Island Records, the label that introduced ska and
reggae to Europe and the US. Blackwell was born in London, but his family had
long-standing ties to Jamaica; they had founded the first synagogue there, and
when Blackwell was young, they moved back to the island. Blackwell’s career
would reverse that trip across the Atlantic. He started Island Records in
Kingston in 1959, but moved it to London in the early sixties. There, he
quickly became the number-one provider of Caribbean music to the city’s growing
West Indian population. He found his biggest reggae success with Bob Marley but
eventually branched out to produce rock and pop, including such artists as U2,
Robert Palmer, and Tom Waits. When the observant boy band Evan and Jaron went
looking for a record label that would honor their "Shabbat clause,"
they turned to Island, and Blackwell was happy to accommodate them.
Hal Blaine (born Harold Simon Belsky; was an American drummer and session musician estimated to be among the most recorded studio drummers in the history of the music industry, claiming over 35,000 sessions and 6,000 singles. His drumming is featured on 150 US top 10 hits, 40 of which went to number one, as well as many film and television soundtracks.
He became one of the regular players in Phil Spector's de facto house band, which Blaine nicknamed "the Wrecking Crew". Some of the records Blaine played on include the Ronettes' single "Be My Baby" (1963), which contained a drum beat that became widely imitated, as well as works by popular artists such as Frank Sinatra, Elvis Presley, the Beach Boys, Simon & Garfunkel, Neil Diamond, and the Byrds.[1]
Blondie
Shiksa goddess Debbie Harry may be the face of Blondie, but the band wouldn’t
be the same without founder and guitarist Chris Stein, a Jewish fellow from
Brooklyn (at least according to Guy Oseary's 2001 book Jews Who Rock,
although Stein has been known to claim otherwise). Stein met Harry in
1973 while she was waitressing at Max’s Kansas City. They had some success with
their first two albums, but their real breakthrough into the nation’s
consciousness came in 1978 with their third album Parallel Lines,
featuring the classic new-wave tracks "Hanging on the Telephone,"
"Sunday Girl," and "One Way or Another." Both "Heart
of Glass" from Parallel Lines and "Call Me," their theme
to the movie American Gigolo, simultaneously topped the charts in the US
and the UK.
Blood,
Sweat and Tears
One particularly intense night at the Café Au Go Go in Greenwich Village, Al
Kooper bled all over his organ keyboard. He’d just formed a new band after
leaving the Blues Project, and this incident inspired their name. Blood, Sweat
and Tears was comprised of Kooper, Blues Project guitarist Steve Katz, and four
other Jewish musicians: Bobby Colomby on drums, Randy Brecker and Jerry Weiss
on trumpet, and Fred Lipsuis on sax and piano. The bassist and trombonist
weren’t MOT, but the band did hire a string ensemble for their first album that
was three-quarters Jewish. This album, Child Is Father to the Man, has
been called one of the best of the sixties. With horns, Kooper was able to add
soul elements to the blues-rock of his previous band, while pushing it in the
direction of jazz. Only about a month after the album was released, however,
Kooper took a job at Columbia Records. He was replaced by a Canadian singer
named David Clayton-Thomas, whose creamy voice can be heard on Blood, Sweat and
Tears’ most famous singles: "You Made Me So Very Happy" and
"Spinning Wheel." Without Kooper, the band lost some of their
credibility, a problem that was greatly compounded by subsequent choices to
tour on behalf of Nixon’s State Department, play Vegas, and compose music for
Barba Streisand. They lasted for quite a while despite demonstrably poor
judgment, but Child Is Father to the Man remains their greatest creative
endeavor.
Michael
Bloomfield
Raised in a Jewish neighborhood in Chicago, Michael Bloomfield received his
first guitar for his Bar Mitzvah. He also received a career-making favor from
the rabbi who officiated, Edgar Siskin, when Siskin introduced young Michael to
Columbia Records executive John Hammond, Sr. Hammond had signed Bob Dylan, and in 1964, he added
Bloomfield to his roster of successful musicians. After an adolescence spent
sneaking out of the house to hear music in Chicago’s clubs, Bloomfield was as
knowledgeable about the blues as any young Jewish kid possibly could be—he’d
even played with the likes of Muddy Waters, Howlin’ Wolf and B.B. King. This
made him a natural session musician, and he went on to a series of studio gigs,
most notably as guitarist on Dylan’s Highway 61 Revisited. (He also
backed Dylan at the Newport Folk Festival in 1965.) Bloomfield’s own bands were
all acclaimed for their innovation and energy, starting with the Paul
Butterfield Blues Band. He played guitar on their 1965 self-titled debut and
their 1966 raga-influenced East-West, then quit in 1967 to found Electric Flag.
In ’68, he teamed up with Al Kooper to make Super Sessions
and The Live Adventures of Mike Bloomfield and Al Kooper. 1969 saw the
release of 2 Jews Blues with Barry Goldberg, an album Columbia didn’t
want Bloomfield to cut. Bloomfield never hid his Jewish identity, though,
occasionally even playing under the goofy name "Fast Fingers
Finkelstein." In 1981, when he died (allegedly of a drug overdose), Barry
Goldberg called him a "true hero not just to the Jewish people, not just
to musicians, but to the world."
Blue
Öyster Cult
Of course it was Jews who discovered the hard-rock potential of the umlaut.
Having gone through several even-worse band names (Soft White Underbelly,
Oaxaca), founders Sandy Pearlman and Richard Melzter settled on "Blue
Oyster Cult" just before signing to Columbia in 1971. Known for playing "thinking
man’s heavy metal," BÖC had their biggest success with "(Don’t Fear)
the Reaper," which was featured in the horror movie Halloween and
hit the top 40 charts. Read more about Blue Öyster Cult in Don't Fear the Rockdots.
The
Blues Project
Al Kooper, keyboards. Danny Kalb, guitar. Steve Katz, guitar and vocals. Andy
Kulberg,bass. Roy Blumenfeld, drums. How’s that for a Jewish line-up? Sure,
there have been other all-Jewish bands in the history of rock. There have even
been other bands with five Jewish members; see J. Geils. But no other
band—certainly no band this influential—has consisted entirely of what the rock
writer Scott Bernarde points out is half a minyan. (They had a non-Jewish
singer for a short while, but he left after the first album). The Blues Project
formed in 1965 out of a group of musicians who had little in common other than their
Jewishness. Somehow, they were able to create a sound that included Kooper’s
rock leanings, Kalb’s love of the blues, Katz’s pop sensibility, Kulberg’s jazz
and classical training, and Blumenfeld’s interest in African and Caribbean
music. Projections, released in 1966, is widely considered the band’s
finest achievement. Not long thereafter, though, the Blues Project split over
the subject of horns. The pro-brass Kooper left to form Blood, Sweat and Tears;
the rest of the band recorded one more album and then drifted apart. (See also Al Kooper, Blood, Sweat and Tears.)
Marc
Bolan
See T. Rex.
Michael
Bolton
Love him or hate him (is there anyone left who actually loves him?), Michael
Bolton is undeniably Jewish. Born Michael Bolotin in 1954, Michael changed his
name in 1983 after finding middling success as a singer-songwriter. Amazingly,
his career as Michael Bolotin involved a stint as lead singer for a metal band,
Blackjack, which released two albums with Polydor. Bolton found his real niche
singing honky-fied versions of soul classics when his cover of Otis Redding’s
"(Sitting on) the Dock of the Bay" became a Top 40 hit in 1987. His
next album, Soul Provider, contained five Top 40 singles, and the
follow-up, Time, Love, and Tenderness, had four more. By the nineties,
his audience had come to their senses; 1997’s All That Matters was a
flop, and Bolton turned his hand to singing opera instead of the blue-eyed soul
that made him famous.
Bon Jovi
It’s hard for a band of Jersey guys not to have a Jewish member, but the boys
of Bon Jovi have found themselves a real mensch in keyboardist David Bryan.
Bryan was born David Rashbaum in Edison, NJ. He and the young Jon Bongiovi
played in bands together as teenagers. When they hit the big time with a
Polygram/Mercury deal in 1983, both David and Jon changed their names. Bon Jovi
had three Top 10 hits with Slippery When Wet and five more with New
Jersey. Five of their singles, including the classic "Living on a
Prayer," reached number one on the charts. They are still beloved around
the world – and David Bryan is still very active in his local shul.
Bryan co-wrote the songs "Love Lies" and "Breakout" on Bon Jovi's self-titled first album, "Only Lonely"; "The Hardest Part Is the Night" and "To the Fire" on 7800° Fahrenheit; the hit "In These Arms" on Keep the Faith; and "Last Cigarette" on Have A Nice Day (plus the international bonus track "Unbreakable") .
David co-wrote the musical Memphis with Joe DiPietro, which had its off-Broadway debut in 2002.
Karla
Bonoff
The LA-based singer-songwriter Karla Bonoff wrote three songs for Linda
Ronstadt’s 1976 album Hasten Down the Wind. Her success with Ronstadt
won her a recording contract with Columbia, and the third of her albums for
them contained "Personally," which was a Top 40 hit. Bonoff worked on
several soundtracks in the eighties, most notably Footloose.
Bush
British grunge heartthrob Gavin Rossdale is half-Jewish; his father is
descended from Russian Jews. In 2000, Rossdale recited the Motzi at a
Friday-night concert in Austria as a statement against the nation’s newly
elected radical right-wing government (and also as a blessing over its bread).
Bush gained fame in the early nineties on the strength of their post-Nirvana
hooks, reaching the Top Ten with the singles "Little Things,"
"Comedown," and "Glycerine." Their albums Sixteen Stone
and Razorblade Suitcase were grunge staples, but the Seattle sound had
fallen out of favor by the 1999 release of The Science of Things.
Randy
California
See Riffed Off by Dave McKenna.
The
Calling
Thanks to their name and the religious overtones of some of their songs, the
Calling are sometimes mistaken for a Christian rock band. However, both singer
Alex Band and guitarist Aaron Kamin are Jewish. Band and Kamin met when the
twenty-year-old Kamin began dating fifteen-year-old Band’s sister. Despite the
age difference, the two began playing together, actually doing a stint in a
group called Generation Gap. The Calling had a chart-topping single with
"Wherever You Go" from the album Camino Palermo.
Vanessa
Carlton
Born in a small town in Pennsylvania, Vanessa Carlton was something of a
musical prodigy. She began her studies at the School of American Ballet in New
York at age fourteen, but the rigidity of ballet frustrated her, leading her to
take up the more individualistic craft of songwriting. Be Not Nobody
debuted in 2002. Its single "A Thousand Miles" reached the charts,
and Carlton’s follow-up album, Harmonium, came out last year.
Rick
Chertoff
Rick Chertoff produced hit albums for Cyndi Lauper, the Hooters, Joan Osborne,
and Sophie B. Hawkins, among others. While attending the University of
Pennsylvania, he met fellow Jews Rob Hyman and Eric Bazilian. The two went on
to form the Hooters; Chertoff went on to produce them. In 1996 Chertoff was
nominated for a Grammy for the Joan Osborne song "One of Us," which
was written by Bazilian, but he’s probably best known for his work on Cyndi
Lauper’s She’s So Unusual.
Leonard
and Phil Chess
The Chess brothers, who immigrated from Poland as young boys, ran the most
influential blues label of the fifties. Signing such legends as Howlin’ Wolf,
Muddy Waters, Little Walter, and Willie Dixon, Chess Records set the standards
for Chicago blues. The label also had a hand in kick-starting rock and roll
when Leonard signed Chuck Berry in 1995.
The
Clash
Lest you think there was a single band in the heyday of punk that was entirely
Jew-free, we present for your consideration Mick Jones of the Clash. Jones grew
up in a working-class household in Brixton, the son of a Jewish mother whose
own mother was a Russian refugee. True, he played in a hard rock band called
the London SS – ah youth – but the name changed with the addition of a few new
members, including a belligerent young fellow named Joe Strummer. After a stint
supporting the Sex Pistols on the famous Anarchy Tour, the band released a
self-titled album (cover photo taken by friend and great Jewish rock
photographer Kate Simon). It hit number 12 on the British charts and was
declared unfit for radio play in the US – a double punk coup. By 1979’s Give
'Em Enough Rope, the band members had simultaneously developed social
consciousnesses and impressive arrest records. It wasn’t a huge hit, but the
band released London Calling that same year, debuting at number one on
the British charts, hitting 27 in the US, and forever earning themselves a
place in the rock pantheon. 1983’s Combat Rock was even more successful,
but that fall, Mick Jones was fired from the band. He went on to form Big Audio
Dynamite; the Clash went on to release one more, very mediocre LP and then
disbanded.
Johnny
Clegg
Johnny Clegg founded South Africa’s first multi-racial band, Juluka. Their
first album got grassroots attention but never made it to the radio due to
racial prejudice. With their second album, African Litary, Juluka
achieved a South African hit, and by their third album, Scattering, they
had a host of international fans. When Juluka broke up, Clegg went on to form
the immediately-successful Savuka, which sold two million copies of its first
album. Heat, Dust, and Dreams, the band’s fourth album, was nominated
for a Grammy in Best World Music.
Clem
Snide
Named after a character from William S. Burrough’s druggie classic Naked
Lunch, Clem Snide play country-inflected indie rock. Lead singer and
guitarist Eef Barzelay was raised Jewish in New Jersey. Drummer Ben Marcus is
also fifty percent Jewish and one hundred percent rock star; as Barzalay tells
us on a birthday song for his bandmate on 2003’s The Soft Spot,
"half-Jewish boys make kick-ass drummers."
Leonard
Cohen
Leonard Cohen was a novelist and a poet before he became a singer, but before
that, he was just a Jewish boy from Canada struggling to join his family’s dry
goods business. Cohen’s first album, The Songs of Leonard Cohen,
appeared in 1968 after Judy Collins spotlighted his songwriting talents with
her version of "Suzanne." A perennial college favorite, Cohen has
always been more popular as a songwriter than a singer, as well-known covers of
his haunting "Hallelujah" by both Jeff Buckley and Rufus Wainwright
demonstrate.
Nudie
Cohn
See Nudie and the Technicolor Jacket by
Eddie Dean.
Counting
Crows
The hedonistic world of rock and roll affords many temptations for the Jewish
rocker: In March 2003, the Counting Crows’ Jewish lead singer Adam Duritz was
photographed cooking pork ribs in Blender. Duritz explained that he’d
been led down the road of traif by that notorious corrupter Gibby Haines of the
Butthole Surfers, who taught him his secret Dr. Pepper marinade. The Counting
Crows, who got their start playing coffeehouses in San Francisco, rose to fame
with their 1993 album August and Everything After on the strength of the
Van Morrison-esque single "Mr. Jones." Since then, the Crows have
released three CDs and a double live album, honing their dark but laid-back
sixties sound with each release.
Country
Joe and the Fish
Best known for their anti-Vietnam War anthem "I Feel Like I’m Fixin’ to
Die Rag," Country Joe and the Fish were one of the many legendary groups
to play at Woodstock. Their three albums, all released in the late sixties,
combined folk music with psychedelic rock and jazz. In 2003, drummer Gary
Hirsch told rock biographer Scott Benarde that he’d always thought of the group
as a Jewish band. Actually, with a Jewish drummer, a Jewish keyboardist, two
half-Jewish guitarists, and a bass player whose maternal grandmother was a Jew,
the band is officially only 65% Jewish.
Cream
Although the sixties proto-supergroup Cream was technically a trio of non-Jews,
their "silent" fourth member was a member of the tribe. Pete Brown
grew up Jewish in London. He was a published poet by the time he reached the
age of 18; Cream drummer Ginger Baker used to attend his poetry readings, which
is how he met the band. Brown collaborated with Cream on many of their songs,
including "I Feel Free," "White Room," and "Sunshine
of Your Love."
Jim
Croce
Like Sammy Davis Jr, Jim Croce is a famous convert. Raised in an Italian
Catholic family, Croce horrified his parents when he fell in love with a very
young folksinger named Ingrid Jacobson. He converted for her and married her in
a traditional Jewish ceremony that was not attended by a single member of his
family other than his brother. Croce released two well-received albums and had
four hits, including "Bad, Bad Leroy Brown," which went to number one
in 1973. Tragically, he died in a plane crash while finishing up a tour for his
second record, Life and Times.
Culture
Club
Culture Club was hugely popular in its heyday, achieving seven straight Top Ten
hits in the UK and six in the States, including "Do You Really Want to
Hurt Me?" and "Karma Chameleon." The band’s gender-bending lead
singer Boy George (who is not Jewish) has said that the Jewish T. Rex frontman
Mark Bolan inspired his own rock star persona; he also played for a while in an
early incarnation of Bow Wow Wow after being invited to join the band by the
Jewish punk impresario Malcolm McLaren. Culture Club drummer Jon Moss is Jewish.
He had previously played with Adam and the Ants and the Damned.
The
Cyrkle
The Cyrkle are remembered primarily for two hits: "Red Rubber Ball"
and "Turn Down Day." The band formed as the Rhondells at Lafayette
College in the early sixties but soon relocated to Greenwich Village and
changed its name to Cyrkle on the advice of John Lennon. Cyrkle had two Jewish
members, guitarist and pianist Don Danneman and drummer Marty Fried, but it
also got by with some help from its Jewish friends, including Paul Simon (who
co-wrote "Red Rubber Ball") and Beatles manager Brian Epstein. These
connections helped the Cyrkle achieve brief but widespread popularity between
1966 and 1967.
Clive
Davis
Arguably the greatest talent scout in the history of rock, Clive Davis went
into the music business because he thought being a young lawyer didn’t confer
enough status. He went on to become a major industry macher, signing such
notables as Bruce Springsteen, Billy Joel, Chicago, Patti Smith, the
Grateful Dead, Whitney Houston, and Sarah MacLachlan. He founded Arista
Records, which is named after the honor society he was a member of in high
school. He later formed LaFace records with Babyface and cut a 50/50 deal to
form Bad Boy with Sean "Puffy" Combs. Despite publicly claiming to
have no ear for hip-hop, Davis was thus also indirectly responsible for the
careers of Monica, Outkast, TLC, Faith Evans, and the Notorious B.I.G. Most
recently, he started J Records – it’s his middle initial, which weirdly enough
stands for nothing – and turned Alicia Keys into a megastar.
Sammy
Davis Jr
Read about Sammy Davis Jr in Funny, He Didn't Look Jewish by Wil
Haygood.
Taylor
Dayne
Jewish girl Leslie Wonderman changed her first name to "Taylor" and
her last name to "Dayne" to become one of the pop divas of the
eighties. After two unsuccessful stints in rock bands, she cut a solo called
"Tell It To My Heart" which entered the Top Ten in 1987. Both her
debut album, also called Tell It To My Heart, and the follow-up, Can’t
Fight Fate, produced three top ten hits.
Neil
Diamond
Known as the Jewish Elvis, Neil Diamond is responsible for some of the
catchiest not-quite-rock songs of the twentieth century. First hitting the
charts with "Cherry, Cherry" in 1966, he went on to score five Top 20
hits in a row. Diamond wrote such classics as "I’m a Believer,"
"Sweet Caroline," and "Girl, You’ll Be a Woman Soon." His
filmic career includes the soundtrack to the movie Jonathan Livingston
Seagull and the lead role in the 1980 remake of The Jazz Singer, the
plot of which he revamped to better reflect his own life in show business.
Little-known Neil Diamond trivia: he attended NYU on a fencing scholarship.
The
Dictators
Before the Ramones, there were the Dictators. Founded in 1974 by Andy Shernoff
and music critic Richard Meltzer, the band set a New York standard, playing
balls-out garage rock in a town where almost no one actually has a garage.
Their sound was dirty, their subject matter trashy (wrestling, fast food). They
enlisted frontman Richard Blum, aka Handsome Dick Manitoba, after he proved
himself totally incompetent as a roadie. In short, they were punk rock before
punk rock actually existed. Despite being wildly influential – this is a band
that featured both ACDC and Cheap Trick as opening acts – they were hated by
the critics, and by the time their aesthetic caught on in the late seventies,
they had broken up.
Dire
Straits
See Mark Knopfler.
The
Doors
Robby Krieger, the Doors’ guitarist, may be the only
Jewish Door, but his contribution to the band came from a very different
cultural tradition. Krieger studied Indian music at UCLA and met Doors
keyboardist Ray Manzarek at a meditation session. The Doors formed soon after,
in 1965, and found instant success with their single "Light My Fire"
in 1967. Their first, self-titled album was enormously popular. While the band
continued playing together for the next four years, they were never able to
release an album that was quite so gorgeously dark and rich.
Bob
Dylan
Perhaps the single most famous Jew in rock, Bob Dylan is a self-made enigma.
Born Robert Zimmerman in 1941, Dylan began fabricating an image for himself
from his first performances at the University of Minnesota, taking his new last
name from the poet Dylan Thomas. Upon his arrival in New York in 1961, he
became a staple of the Greenwich Village folk scene with his signature twisty,
evocative lyrics and developing political sensibilities, all set to a
classically folky acoustic backing. 1962’s The Freewheeling Bob Dylan
went to number twenty-three on the charts and introduced Dylan to the world
outside of New York. In 1965, Dylan famously shocked his fans with an electric
set at the Newport Folk Festival in 1965, after releasing the partly electric Bringing
It All Back Home. As the title of the famous documentary about him
suggests, he never looked back, releasing literally dozens of albums of both
electric and acoustic folk-rock throughout the rest of his career. A mysterious
period in the late seventies saw Dylan’s conversion to Christianity, but he was
back to the Jewish faith by 1983. For more about Bob Dylan, see Talkin' Hava Nagilah Blues, A Night in the Life and Subterranean Homeland Blues.
Jakob
Dylan
As the son of one of rock’s most influential musicians, Jakob Dylan has done an
admirable job developing a rock and roll career of his own. Sure, the famous
name didn’t hurt, and it must have helped that he came equipped with piercing
blue eyes and unholy cheekbones, courtesy of his stunning mother Sara Lowndes.
But Dylan’s band the Wallflowers had a respectable showing in the charts with
their 1996 album Bringing Down the Horse, producing the pleasant-enough
hits "One Headlight" and "6th Avenue Heartache."
Elastica
Elastica lead guitarist/vocalist and Jewess Justine Frischmann couldn’t have
been more of a rock goddess in the nineties. A founding member of Suede with
her then-boyfriend Brett Anderson, Frischmann left the band to start her own
group in 1991, explaining in one interview that she’d "rather be Pete Best
than Linda McCartney." She proceeded to become half of Brit-pop’s most
celebrated couple when she began dating Blur’s Damon Alburn. Meanwhile,
Elastica’s singles "Stutter" and "Connection" climbed the
charts, although they were criticized by many who said that their riffs were
both lifted directly from Wire songs. Frischmann was also ragged by the press
for her posh upbringing, causing her to reveal in one interview that her father
is a Holocaust survivor who was at Auschwitz when the war ended. Ultimately,
feeling pressure from both her band and the media, Frischmann quit the music
business, but not before making a major impression on the Cool Britannia scene.
Mama
Cass Elliot
Poor Mama Cass: eternally haunted by the rumor that she died choking on a ham
sandwich, which is no way for a Jewish girl to go. Born Ellen Naomi Cohen, Cass
Elliot started her performance career as an actor; she actually competed against
Barbra Streisand for the part of Miss Marmelstein in an off-Broadway
performance of "I Can Get It For You Wholesale" in 1961. Elliot
became part of the Mamas and the Papas in 1965 when she left her own folk group
to sing with Denny Doherty and John and Michelle Phillips. After hits like
"Monday, Monday," "California Dreaming," and
"Dedicated to the One I Love," Cass Elliot was enough of a star to
embark on her own solo career, but it was cut short with her death (of a heart
attack, not a sandwich) in 1974. See Who's Your Mama? in Words.
Brian Epstein
The Beatles’ famous manager Brian Epstein knew all about the fifth commandment
– the not-very-rock-and-roll exhortation to honor thy father and mother.
Epstein worked at his parents’ music store (which, coincidentally, is where
James McCartney Sr bought his family’s piano on an installment plan). When a
catchy new pop group called the Beatles caught his eye, he immediately asked
his mom and dad to come see the band in action. They were a little unsure –
Epstein’s Yiddishe mama had no idea what to wear to a rock concert – but after
the show, they gave their son permission to manage what would become the most
famous band in rock. Epstein is the man who got the Beatles their first
contract, fired Pete Best, and oversaw the band through their rise to fame.
Sadly, his career was cut short with his death at age 32 from an overdose of
sleeping pills. His body was discovered next to working script of "Yellow
Submarine" and a copy of The Rabbi, a novel by Noah Gordon.
Howie Epstein played bass
for Tom Petty and the Heartbreakers for twenty years before his untimely death,
of a heroin overdose, in 2003.
Marianne
Faithfull
The daughter of a Jewish baroness and a British WWII spy, Marianne Faithfull
went from being one of the less talented singers of the sixties to one of the
more extraordinary ones of the late seventies. Faithfull was initially known
mostly for being Mick Jagger’s girlfriend and partner in crime – literally, as
famous accounts of the lovebirds’ drug busts attest. Her recordings, including
Jagger’s "As Tears Go By," were not very well received, and she sunk
into drug addiction. But in 1979, with her comeback album Broken English,
Faithfull found herself suddenly widely appreciated, especially by the newfound
punk scene. All the years of drinking and heroin had roughened up her voice,
giving it both texture and gravitas. Since then, Faithfull has recorded several
albums, working with critically acclaimed songwriters like P.J. Harvey and
Beck.
Perry
Farrell
Perry Farrell is another loud, proud Jewish rock star. Born Peretz Bernstein in
Queens in 1959, Farrell worked in his father’s diamond business for a while
before moving out west to found Jane's Addiction 1985. Two platinum albums, Nothing’s
Shocking (1988) and Ritual de lo Habitual (1990) followed. Both were
hugely seminal for the nineties alternative rock scene, but by the time Nirvana
broke, Farrell had moved on to a new band, Porno for Pyros. Perhaps more
importantly, he was also at the helm of a project that defined the sound of the
era: Lolapalooza, the enormous traveling rock show. Farrell debuted his
pierced, tattooed baby in 1991, headlining with Jane’s Addiction just before
they broke up, and went on to steer the festival through the decade.
The
Flamingos
Several different bands in the history of Jewish rock got their start in the
synagogue chorus, but the Flamingos may be the only ones who met in a church
choir – a Jewish church, no less. Jake and Zeke Carey were cousins who joined
the Church of God and Saints of Christ Congregation when they moved from
Baltimore to Chicago in 1950. The church, or synagogue, is the oldest black
Jewish congregation in the US (yes, there are others). When the Carey cousins
joined the choir, they became friends with Paul Wilson and Johnny Carter.
Sollie McElroy rounded out the group, and as a doo-wop fivesome, they recorded
their first track, "If I Can’t Have You," in 1953. In 1956, they had
a Top Ten song with "I’ll Be Home," but their biggest hit was 1959’s
"I Only Have Eyes For You." Having spent the early part of their
vocal training on sad Jewish melodies, the group were well prepared for the
lovelorn ballads of fifties R&B.
Fleetwood Mac
Born into a highly musical Jewish family, Fleetwood Mac’s Peter Greenbaum – later Peter Green — started playing with his
future bandmates in the Bluesbreakers, replacing Eric Clapton in 1966. The band
became Fleetwood Mac in 1967 when the rest of the members left behind founder
John Mayall to form their own group. Green’s hard-edged, blues-influenced
guitar gained acclaim for the new band. Two of his songs, "Man of the
World" and "Oh Well," were number two hits in 1969. But by the
following year, Green’s heavy drug use had rendered him unstable, and in the
spring of 1970, he left the band.
Alan Freed
Rock and roll might have existed without Alan Freed, but "rock and
roll" would never have been born. In 1951, Freed began two spin rhythm and
blues records on a Cleveland radio station, WJW. Instead of calling the sound
"r’n’b," though, Freed gave it a racier new name, one that cut loose
the blues and focused on the rhythm. Three years later, he applied for a
patent, making "rock and roll" a legal coinage. By then Freed was a
genuine star, DJ'ing on WINS in New York. Ultimately, a scandal involving radio
bribery brought him to ruin, but the phrase "rock and roll" remained
his legacy.
Kinky
Friedman
Country singer, mystery author, independent gubernatorial candidate: Texas’s
leading Jewish cowboy, Kinky Friedman, wears several different ten gallon hats.
Born Richard Friedman, Kinky spent three years in the Peace Corps before
founding Kinky Friedman and the Texas Jewboys. With songs like "They Ain’t Making Jews Like Jesus Anymore"
and "Ride 'Em Jewboy," the band appealed to a small but growing cult
following, ultimately touring with Bob Dylan on his Rolling Thunder Revue. The
Jewboys disbanded in the late seventies, and by the early eighties, Kinky
Friedman had become a writer, publishing mystery novels about a Jewish country
singer named Kinky Friedman. He’s had a long career as an author, but he’s
moving on once again; this spring, Kinky is running for Texas governor under
the slogan "Kinky Friedman: Why the Hell Not?"
Art
Garfunkel
True, Art Garfunkel may go down in rock history as the ultimate embodiment of
"that other guy," but before his songwriting partner abandoned him,
Garfunkel was half of one of the most important folk duos of the sixties – and
don’t you forget it. Paul Simon and Art Garfunkel got their start as Tom and
Jerry, hitting the top fifty with their single "Hey Schoolgirl." Lack
of success caused them to split up, but when they reformed as Simon &
Garfunkel in the sixties, they scored a number-one hit with "Sound of
Silence" after their producer added electric guitars to their gentle
folk-rock. "Homeward Bound," "I Am a Rock," and "Hazy
Shade of Winter" all hit the charts in 1966 and 1967. "Mrs.
Robinson" became a hit on the strength of the movie The Graduate,
and their 1970 album Bridge Over Troubled Water remained on top of the
charts for ten weeks. After the group split up, Garfunkel pursued an acting
career which included a role in Catch-22. He also released several
albums, but never even approached the fame of his former partner.
The J.
Geils Band
The J. Geils Band couldn’t have been more Jewish, with the notable exception of
J. himself: singer Peter Wolf, drummer Stephen Bladd, harmonica player Magic
Dick (born Richard Salkovitz), keyboardist Seth Justman, and bassist Danny
Klein were all Jews. And they didn’t hide it: the band was often called the
Jewish Rolling Stones. During the seventies, the J. Geils band toured
tirelessly, gaining a reputation based on their gritty r’n’b and wild live
shows. Their second album, The Morning After, had a Top 40 hit with
"Looking for a Love" in 1970, and 1972’s Bloodshot entered the
top ten thanks to the single "Give It to Me." But they were mostly
known as a concert band until 1981, when their single "Centerfold"
became a favorite on the newborn cable channel MTV, driving the album Freeze
Frame up the charts. As one of the great live bands of the era, the J.
Geils Band did miss one major gig: obscure band trivia has it that they were
asked to play the original Woodstock. Sadly, it seems the influence of one too
many Jewish grandmothers came through; the band supposedly gave the supremely
bubbe-esque response: "Three days in the mud – who needs it?"
Barry
Goldberg
See Mike Bloomfield.
The
Grateful Dead
From their early days in the San Francisco psychedelic scene to their one radio
hit, 1987’s "Touch of Grey," the Grateful Dead have always had a
large Jewish following. Deadheadism is a lot like Judiasm. Fans of the Grateful
Dead, like observant Jews, glean spiritual meaning from the intensive study of
their chosen texts: in this case, song lyrics. They view themselves as misfits
in the greater world but draw incredible strength from their own communities.
And, as the joke goes, much like the Jews, Deadheads tend to follow around the
Grateful Dead. Of course, the high number of Jews in the Dead’s fanbase is
echoed by the band’s own Jewishness. Drummer Mickey Hart was raised Jewish, and
the band’s publicist and manager were both Jews.
Peter Green
See Fleetwood Mac.
Guster
What is it about Jewish musicians and college-based cult followings? Like Phish, Guster developed a major
following in the nineties with almost no radio play, winning the hearts of
thousands of college kids on their practically endless touring loops. The
all-Jewish trio met at Tufts University in 1992 and released their debut album,
Parachute, two years later. Goldfly came out in 1997 and Lost
and Gone Forever the neat year. In 1998, the band signed to a major label,
Sire, but it folded. Undeterred, they released Keep It Together with
Reprise in 2003, still touring tirelessly all the while. These days, they might
be the only band at any given school’s spring weekend playing a shofar – but
that’s only because Phish no longer exists.
Arlo
Guthrie
Woody Guthrie wasn’t Jewish, but he married a Jewish girl and settled in
Brooklyn near his mother-in-law, the Yiddish poet Aliza Greenblatt. Guthrie’s
son Arlo grew up Jewish and was deeply influenced by his grandmother, who
served the family Shabbat dinner every Friday night. Arlo Guthrie is best known
for his eighteen-minute-plus "Alice’s Restaurant Massacree," which
was released in 1967. Inspiring a 1969 movie and causing the album it was on to
go gold, "Alice’s Restaurant" was Guthrie’s biggest hit; however, his
1972 single "The City of New Orleans" was a commercial success, and
he continued to release albums throughout the seventies. Read more about Arlo
Guthrie in This Land is Your Land.
Mickey Hart (born Michael
Steven Hartman, is an American percussionist and musicologist.
See the Grateful Dead.
Ofra
Haza
If you're an Israeli pop musician, the highlight of your career is normally to
become a finalist in the annual Eurovision Song Contest. Although Ofra Haza did
just that in 1983, with her single "Hi!", this daughter of Yemenite
Jewish refugees would soon achieve international success unprecedented for a
citizen of the Jewish state. Her 1984 album Yemenite Songs (AKA Fifty
Gates of Wisdom), featured club-dance versions of traditional secular and
religious compositions. The album's lead single, "Im Nin'alu," with
lyrics by 16th-century mystic Shalom Shabazi, reached the top 20 in the U.K.
and was a hit in American clubs as well. Haza subsequently recorded a well-received
English album, toured the U.S., and recorded with Iggy Pop, Sisters of Mercy,
and fellow tribe-member [[Lou Reed]]. She died of AIDS-related complications in
2000.
Richard
Hell
Sure, the Brits had Malcolm McLaren, but here in the US, we had our own Jewish
punk pioneer in the person of Richard Hell. Born Richard Myers, the half-Jewish
Hell got his start playing in Television – the band that convinced a dive bar
on the Bowery called CBGB’s to start having live shows. Hell was deeply
inspired by the trashy aesthetic of the New York Dolls, so when that band broke
up, he teamed up with Johnny Thunders to form the Heartbreakers (although he
dropped out before they made music history touring England with the Sex
Pistols). Finally, Hell found his niche as a frontman with the backing band the
Voidoids, defining the ennui of an era with their 1977 song "Blank
Generation."
Peter
Himmelman
Peter Himmelman’s Jewish rock credentials are unimpeachable, even aside from
his role as son-in-law to one Robert Zimmerman. How Jewish is he? Well, he
refuses to play on Shabbos. His most recent album, Imperfect World
(released in March of 2005) was written after an inspiring Tisha B’av fast
period. Even his Hebrew name—Pesach Mordechai—is more Jewish than most.
Himmelman’s twin interests in Judaism and music have been with him since his
childhood in Minnesota: he made his first trip to Israel at age eight and got
his first guitar when he was 12. In the early eighties, he began playing under
the pseudonym Sussman Lawrence, which eventually became the name of his new
wave band. Both of their albums were lauded by critics, but it wasn’t until
Himmelman went solo with This Father’s Day (1986) that he really found
his stride. Dedicated to the memory of his father, with whom Himmelman was
extremely close, the album won him a contract with Chris Blackwell at Island Records.
Today, many albums later, Himmelman also writes children's music and music for
television. He is known for his imaginative approach to concerts—he once took
an entire audience out to eat after a show. Which, when you think about it, is
a pretty hugely Jewish thing to do.
Susanna
Hoffs
See the Bangles.
Janis
Ian
Janis Ian was born Janis Eddy Fink in New York City in 1951. Though she began
using "Ian" as a surname when she started playing folk music in high
school, Ian never quite left behind her given name: her 1968 album was titled The
Secret Life of J. Eddy Fink. Ian’s first hit was the highly controversial
"Society’s Child (Baby I’ve Been Thinking)," a song about interracial
romance that Ian wrote when she was only 15. The track gained attention after
Leonard Bernstein featured it on a television special, launching Ian’s career.
She released albums throughout the late sixties but really came into her own in
the seventies. Roberta Flack’s performance of her song "Jesse" became
a Top 30 hit; more famously, "At Seventeen" won a Grammy and reached
the Top Three in 1975.
Jamiroquai
Neo-soul Brits Jamiroquai boast a frontman who sounds like Stevie Wonder but
looks like the kid who always sat in the back of the class in Hebrew School.
Jason Kay was born in 1969 in Manchester. He decided to start a band after a
stint of homelessness; music seemed a safer occupation than petty crime, which
was how he had been getting by. Jamiroquai’s first single "When You Gonna
Learn?" came out in 1992, followed by the album Emergency on Planet
Earth in 1993. It hit number one in the UK, but Kay didn’t find success in
the US until 1996’s Traveling Without Moving. The video for the track
"Virtual Insanity" was one of the coolest of the nineties and helped
the album go platinum. The band never achieved the same fame in the states, but
overseas, Jamiroquai is still going strong.
Jane's
Addiction
See Perry Farrell.
Jay and
the Americans
This all-Jewish band had the distinction of opening for both the Beatles and
the Rolling Stones on each group’s first American tour. Founded in 1961, the
band was named by Jerry Leiber and Mike Stoller;
"Jay" was John Traynor, one of vocal group’s seven members. In 1962,
their song "She Cried" became their first Top Ten hit. Not long
after, John Traynor left the band. David Blatt, a singer who had been raised
Orthodox, came in to fill the "Jay" role. When Blatt’s last name was
misheard on The Mike Douglas Show, he became "Jay Black." Nearly all
of the band members changed their Jewish last names, but in 1967, they recorded
an adaptation of a Yiddish song, "Vi iz dus Gesele," which Black
translated himself. This was not a huge commercial success, but many of their
other singles—"Come a Little Bit Closer," "Cara, Mia,"
"This Magic Moment" and others—hit the Top 40.
Jefferson Airplane
Nearly everyone in Jefferson Airplane was Jewish in some way or another.
Drummer Spencer Dryden: Jewish.
Singer Marty Balin and guitarist Jorma Kaukonen: Jewish. Paul Kantner:
technically not a Jew, but with that last name, who cares? The Airplane went
through many line-up changes as the band developed out of the mid-sixties San
Francisco rock scene, but it achieved the form known to history when Dryden,
Balin, Kaukonen, Kantner, and bassist Jack Casady recruited singer Grace Slick
in 1966. Slick brought two songs with her when she joined the band: "White
Rabbit" and "Somebody to Love." These tracks both reached the
Top Ten and made 1967’s Surrealistic Pillow a gold record. Jefferson
Airplane continued representing the drugged-out culture of their hometown on
the charts until the seventies, when the band morphed into both Jefferson
Starship and Hot Tuna.
Billy Joel
Billy Joel once pretended to be Irish and Catholic – hence the many songs about
things like crosses and communion – but both of his parents are Jewish. Joel
was raised with little Jewish education and in fact grew up attending Catholic
mass with his friends. He was a bit of a piano prodigy, taking up the
instrument at age 3. As a teen, he played recording sessions, including the
Shangri-La’s "Leader of the Pack." Joel built his career slowly,
releasing several classic singles including "Piano Man" and "New
York State of Mind" throughout the seventies, but it wasn’t until 1977’s The
Stranger that he achieved real fame with "Just The Way You Are,"
which won Grammy Awards for both Record and Song of the Year. Billy Joel’s
popularity has always withstood cold reception from rock critics: despite being
dismissed as soft and derivative by the press, the man who wrote "It’s
Still Rock and Roll to Me," "Uptown Girl," and "Only The
Good Die Young" has sold more than 100,000,000 records over the course of
his career.
Michael Geoffrey "Mick" Jones guitarist singer songwriter.
See the Clash
Ira
Kaplan
See Yo La Tengo.
Lenny Kaye
In 1986, Lenny Kaye taught a course at Rutgers University on the history of
rock. He was uniquely qualified, having played a major role in that history
himself. Kaye grew up surrounded by music, playing in garage bands, writing
articles about rock, and eventually getting a job at a record store in
Greenwich Village. In 1971, Patty Smith came across an essay by Kaye in Jazz
& Pop magazine and was so impressed that she tracked him down. They soon
formed the Patty Smith Group, a proto-punk experiment anchored between the
poles of Smith’s raw lyrics and Kaye’s noisy guitar. Meanwhile, Lenny Kaye was
also working on a compilation of garage rock songs, Nuggets, which came
out in 1972. With this carefully organized double album, Kaye made a successful
case for the suburban basement as prime breeding grounds for good music, an
idea that would be cherished by the punk movement he was helping to create. The
Patty Smith Group’s debut album, Horses, came out in 1975; they were to
release three more records before breaking up in 1979. Kaye formed the Lenny
Kaye Connection in 1980, worked as a record producer, and continued his
journalism career, writing for Addicted to Noise, Cream and Rolling Stone. In
1996, he played on Patty Smith’s comeback album, Gone Again.
Carole King
Born Carole Klein, Carole King wrote some of the most memorable pop songs of
the sixties. "Will You Love Me Tomorrow"? That’s hers. "The
Locomotion"? Also hers. Campfire favorite "You’ve Got a Friend?"
Yup, that’s her too. And while she didn’t write "R-E-S-P-E-C-T," King
did give Aretha Franklin another signature cut, the soulful "(You Make Me
Feel) Like a Natural Woman." King got her start at Queens College, where
she met fellow songwriters Paul Simon, Neil Sedaka and Gerry Goffin, whom she
later married. She and Goffin wrote over 100 charting singles over the first
half of the sixties ("The Locomotion" was recorded by their
babysitter) but split up towards the end of the decade, causing King to move
out to LA, where she met James Taylor. In addition to popularizing "You’ve
Got a Friend," Taylor encouraged King to perform as a solo artist, and in
1971, she released Tapestry. It remained on the charts for six years,
finally granting King the recognition her songwriting deserved.
Kiss
Born Chaim Witz, Gene Simmons grew up attending yeshiva in Brooklyn (his
upbringing was so Jewish that when he first saw a picture of Santa Claus, he
figured the bearded guy must be a rabbi). Simmons began playing with fellow
Hebrew Paul Stanley (Stanley Harvey Eisen) in a band called Wicked Lester, but
the two soon joined forces with Peter Criss and Ace Frehley to form a group
positioned somewhere between the macho end of glam and the theatrical end of
hard rock. Kiss came out in 1974 and went up to 87 on the US charts;
with 1975’s single "Rock and Roll All Nite" off the live album Alive,
the boys behind the make-up became bona fide rock stars. The single
"Beth" went to the Top Ten in 1977 and the 1979 album Dynasty
also went platinum, but after all of this success, Peter Criss decided he
wanted out. KISS’s fortune went downhill from there, spiking briefly in 1983
when the remaining band members (Ace Frehley had left by the point too)
appeared for the first time in public without the make-up. Several reunions and
much controversy later, Chaim Witz is still going strong – last winter saw him
as a guest judge beside fellow Yid Paula Abdul on this season’s American Idol.
Read more about Kiss in A One For the Money, a Two for the Money.
The
Knack
All four members of the Knack were Jewish; naturally, so was Sharona. Coming
out of LA in the late seventies, what made the band so unique was its choice of
idols: while everyone else was emulating either Led Zeppelin or the Sex
Pistols, the Knack looked back further, aiming to be 1979’s answer to the
Beatles. They may have overshot, but the Knack were hugely popular for about a
year. Get the Knack (1979) sold millions of copies, partly on the
strength of "My Sharona." By the time …But the Little Girls
Understand was released less than a year later, the band was suffering somewhat
of a Knacklash. They released two more albums, but their next real chance to
shine didn’t come until Reality Bites revived "My Sharona" in
1994. Read more about the Knack in His Sharona.
Mark Knopfler
Mark Knopler was always a Person of the Book. The son of a Hungarian refugee
whose Jewish faith and communist sympathies led him to flee to Scotland,
Knopfler majored in English in college and worked as a rock critic before
founding Dire Straits. As the band’s songwriter, Knopfler remained wordy and
clever, gaining attention for writing literate lyrics. Dire Straits had their
first hint of success when the single "Sultans of Swing" was picked
up from their demo by a London DJ. On the strength of the airplay, the band
wrangled a recording contract and released their self-titled debut, which
entered the Top Ten in both the US and the UK. Their second album sold three
million copies worldwide, and their third, Making Movies, had a major
hit with "Romeo and Juliet." It wasn’t until their sixth album,
1985’s Brothers in Arms, though, that Dire Straits really became
megastars. With the video for "Money for Nothing," they became one of
the bands to embody the feel of early MTV. Meanwhile, Knopfler began writing
scores for movies, including The Princess Bride (1987).
Alexis Korner
Alexis Andrew Nicholas Koerner
was a British blues musician and radio broadcaster, who has sometimes been referred to as "a founding father of British blues" A major influence on the sound of the British music scene in the 1960s, Korner was instrumental in the formation of several notable British bands including The Rolling Stones and Free.
Al
Kooper
What didn’t Al Kooper do in the 60s and 70s? Born Alan Peter
Kuperschmidt, this Brooklyn-raised Jew began his career in the Royal Teens (of
"Short Shorts" fame). He went on to become a well-respected session
musician, a role that placed him in the studio with Bob Dylan for "Like a
Rolling Stone." That famous organ riff? That’s all Al Kooper. In the
meantime, Kooper also managed to become a founding member of the Blues Project
when a producer invited him to play on their demo. Frustrated by his bandmates’
decision not to include a brass section, he quit the band and founded Blood,
Sweat and Tears. After orchestrating what has been called one of the best
albums of the sixties, Kooper moved on to a production job at Columbia Records.
He brought the Zombies to the United States; he signed Lynyrd Skynyrd. He also
kept playing his own music, releasing two blues-rock albums with Mike
Bloomfield. Between his producing activities, his own bands, and the sessions
he played with groups like the Who, the Rolling Stones and Jimi Hendrix, Kooper
played a part in many of the most important moments of rock and roll. (See also
the Blues Project and Blood, Sweat and Tears.)
Lenny Kravitz
Lenny Kravitz is one of rock’s most famous half-Jews. The son of a Jewish TV
producer and actress Roxie Roker (Helen on The Jeffersons), Kravitz has
made a career of playing his rock heroes almost better than they could play
themselves. Unfortunately, he started his simulations with Prince, which didn’t
get him much farther than the stage name Romeo Blue and a pair of ill-advised
blue contact lenses. Once he turned to Hendrix, however, Kravitz was
unstoppable. 1989’s Let Love Rule somehow came off as stripped-down and
authentic compared with everything else out that year; it became a major hit,
with the title track’s video logging in long hours on MTV. The same year,
Kravitz proved his genuine talent by writing "Justify My Love" for
Madonna. His next album, Mama Said, had a huge hit with "It Ain’t
Over Till It’s Over," and by the time he released Are You Gonna Go My
Way in 1993, he’d earned respect as an original performer. "Fly
Away," from 1998’s 5, was a megahit, as was Kravitz’s cover of
"American Woman" in 1999. Today, Lenny Kravitz can be seen backing
another beloved fashion victim and Jewish icon, Sarah Jessica Parker, in Gap
ads across America.
Robert Alan "Robby" Krieger is
an American rock guitarist and singer-songwriter
in the Doors,
Rock and Roll Hall of Fame. Krieger wrote
or co-wrote many of the Doors' songs, including the hits "Light My Fire",
"Love Me Two Times", "Touch Me", and "Love Her
Madly"
See the Doors.
Geddy
Lee
See Rush.
Leiber
and Stoller
A lot of people hated Elvis Presley’s "Hound Dog" when they first
heard it. Jerry Leiber and Mike Stoller, though, had a good reason: that skinny
hick was ruining their song. Leiber and Stoller had both been raised Jewish,
but their musical influences were always African-American. Elvis, they figured,
was impinging on their role as the only white guys in r’n’b – a role they
backed up by writing over fifty pop hits, including "Yakety Yak" for
the Coasters and "There Goes My Baby" for the Drifters. Ultimately,
of course, Leiber and Stoller were hardly the only white songwriters to break
the barriers of segregation in their music. But they did it first, and with
classics like "Hound Dog," you could argue that they did it best.
Lisa
Loeb
Lisa Loeb proved a lot of things in the early nineties. With her number one
single, "Stay," she proved that you don’t need a record deal to top
the charts; with her unabashedly Jewish name, she demonstrated that there’s no
need for pseudonyms in this day and age; and with those giant spectacles, she
let a generation of nerds know that glasses can be sexy. Loeb got her start as
part of a duo with her Brown University roommate, Elizabeth Mitchell (later of
Ida). She moved on to a role as front-woman with her band Nine Stories in 1990
and attracted some major label interest, but it was not until after her buddy
Ethan Hawke featured "Stay" in Reality Bites that she was
signed by Geffen. "Stay" won a Grammy for Best Pop Performance by a
Group. She released her debut album, Tails, in 1995 and scored a radio
hit with "I Do" from 1997’s Firecracker. 2003’s Cake and
Pie was re-released under the name Hello Lisa as part of a
promotional deal with Sanrio’s Hello Kitty character. Loeb has also found some
fame in television, starring alongside former boyfriend Dweezil Zappa in the
short-lived cooking show Dweezil & Lisa.
Courtney
Love
Everything about Courtney Love is controversial, so it’s no surprise that even
her Jewish identity has been called into question. Half-Jewish groups have
claimed Love as one of their own, but the singer has also stated that only one
of her grandparents was a Jew. Add this to the various bizarre rumors about
Love’s background – could her mother actually be Marlon Brando’s lovechild? –
and her tendency to, well, make stuff up, and it becomes nearly impossible to
determine the truth. As with all rock stars, though, we’re probably best off
accepting Courtney Love’s stage persona. Unhinged and usually also undressed,
Love has been thrashing around in the headlines since she was just the rocker
wife of Nirvana frontman Kurt Cobain. As Cobain’s star rose, Love’s band Hole
began to get attention, making Love a star when Live Through This was
released not long after Cobain’s suicide in 1994. Naysayers claimed that the
album was written entirely by Love’s husband; surprisingly, 1998’s Celebrity
Skin did very little to refute those rumors, possibly because so many of
the songs sounded like the handiwork of Love’s ex Billy Corgan. Love’s band has
since released America’s Sweetheart, but the singer has gained more
attention recently for several public meltdowns, at least one indecent exposure
outside a Manhattan Wendy’s, and a stint in rehab.
The Lovin’ Spoonful
The Lovin’ Spoonful’s Zal Yanovsky was known as the Jewish Ringo Starr, which
is surely confusing to the many misguided Yids who claim Ringo as a member of
the tribe, but becomes doubly confusing when you recall that Yanovsky was a
guitarist, not a drummer. One look at that punim, though, and you’ll know where
the nickname came from. The Lovin’ Spoonful is responsible for a huge number of
mid-sixties hit singles, including "Summer in the City" and "Do
You Believe in Magic?" from the 1965 album of the same name. In 1967, the
band began to fall apart when bassist Steve Boone and Yanovsky were busted for
marijuana possession. Boone and Yanovsky ratted out their source, angering many
of their fans. Yanovsky quit the band, and despite several subsequent releases,
the Spoonful never fully gained back the love.
Stan Lynch began to play drums as an adolescent in Florida. On occasion, he would fill in behind the kit of a local band, Mudcrutch, led by a kid named Tom Petty. When Petty got signed in 1975, Lynch and some friends from Florida became his backing band, eventually playing on hits like "American Girl" (1976), "I Need to Know" (1978), and "Don’t Do Me Like That" (1979).
The
Mamas and the Papas
See Mama Cass Elliot.
Barry Manilow
Born Barry Alan Pincus in Williamsburg, Brooklyn, Manilow eventually adopted
his mother’s maiden name. He put himself through Juilliard by working in the
mail room at CBS, but his real break came after he graduated, when he began
working as Bette Midler’s musical director. His self-titled album sold poorly,
but 1974’s Barry Manilow II became a hit with the number-one single
"Mandy" (a song that Clive Davis found and urged him to record.) His
next number-one hit was "I Write The Songs" (which Manilow didn’t
write) in 1976. The album it was on, Tryin’ to Get the Feeling, went
platinum that year. His next album, This One’s For You, was also a
success, but it wasn’t until 1977’s double live record Live that Manilow
had a number-one album. "Copacabana" was a hit in 1978, but then
Manilow’s run began to slow down. He spent the eighties and nineties covering
jazz standards and has had only one more album reach the top three – Unlimited
Manilow, which was released, if you can believe it, in the year 2002.
Handsome
Dick Manitoba
Born Richard Blum, Handsome Dick Manitoba has been a
figure on the New York music scene since he fronted the Dictators in the 1970s.
These days, he sings with the MC5, DJs on Steve Van Zandt's satellite radio
channel, and still finds time to manage his eponymous Alphabet City bar. See the Dictators for more information.
Matisyahu
Born Matthew Miller and raised in the California suburbs, Matisyahu had to
undergo two transitions to become the musician he is today. First, he had to
discover his passion for Orthodox Judaism, a religious interest sparked in the
two most Jewish places on earth: Israel, which he visited as a teen, and New
York City, where he attended college. As a student at the New School, Miller
met a Lubavich rabbi in Washington Square Park (ironically, he had just written
a play about a student who meets a Lubavich rabbi in that very location). The
Lubavichers welcomed him, and he moved to Crown Heights, Brooklyn. While the
secular Matthew Miller was becoming Hasidic, the hippie Matthew Miller was
discovering reggae. After a stint following Phish as a teen, Miller attended a
wilderness school where his interest in music was encouraged. He began to turn
his proclivity for beatboxing in the back of the classroom into a real musical
career, performing at local open mics. By the time he became Matisyahu, he had
become a skilled reggae artist, writing songs about his faith and performing in
a black hat and peyas. JDub Records released his debut album, Shake Off the
Dust…Arise in 2004.
Malcolm McLaren
In 1958, Malcolm McLaren became a Bar Mitzvah. In 1975, he became manager of a
bunch of skinny louts who called themselves the Sex Pistols. The latter event
was probably more formative for McLaren, but the fact remains that punk’s most
famous manager is a member of the tribe. Malcolm McLaren was raised by his
grandmother and attended just about every art school in the UK before opening
up a clothing store with fellow misfit Vivienne Westwood in 1972. In 1974 he
began managing – and dressing – the fading New York Dolls, but his career was
made during his three years in charge of the Sex Pistols. With his wild
aesthetic and Situationist ambitions, McLaren arguably invented punk rock. He
went on to manage Bow Wow Wow, which had a hit with "I Want Candy" in
1983. Along the way, McLaren discovered both Adam Ant and Boy George, but by
that time he was mostly focusing on his own work. 1982’s "Buffalo
Gals" has been credited with introducing hip-hop to Britain; it reached
the Top Ten, and its 1998 revival also charted in the UK. Read more about
Malcolm McLaren in The Situationist.
Megadeth
Dave Mustaine formed Megadeth after he was booted out of Metallica two years
after helping found the band. It seems Mustaine might not be the best team
player: he’d already fired eight band members when he recruited the Jewish
guitarist Marty Friedman in 1990. Despite the high turnover, Megadeth had a
successful eighties run: 1986’s Peace Sells…But Who’s Buying? and 1988’s
So Far, So Good…So What! both went platinum. After Friedman joined the
band, their popularity only increased (a fact that should be noted well by
anyone who doubts the rock prowess of Jewish metalheads). All but one of their
nineties albums debuted in the Top Ten, Rust in Peace (1992) and Youthanasia
(1994) went platinum, and 1992’s Countdown to Extinction went
double-platinum. Recently, Mustaine told Israeli radio that his mother was
Jewish, but he considers himself Christian.
Mountain
In 1958, young Leslie Weinstein received a guitar as a Bar Mitzvah present.
Almost ten years later, Weinstein, now calling himself Leslie West, formed the
hard-rock band Mountain. West had a strong rock resume, having spent years
playing Long Island venues as part of the local heroes the Vagrants, but it
wasn’t until he teamed up with former Cream producer Felix Pappalardi for
1969’s Mountain that he really achieved rock star status. After the
release of his solo album, West assembled other musicians to make up the band
Mountain; they had an auspicious beginning, playing their fourth gig ever at
Woodstock. In 1970, their album Mountain Climbing went gold, and its hit
single "Mississippi Queen" still graces classic rock radio stations
today.
New Found
Glory
Like the Calling, New Found Glory often gets mistaken for a Christian rock band
despite being chock-full of Jews: three out of the five members grew up in
Jewish homes in Coral Springs, Florida. Since the rest of the band is from
Florida, they tend to get lumped in with Floridian emo boys like Dashboard
Confessional, but New Found Glory were putting out albums before the latter-day
emo explosion. They’re also a little bit tougher and goofier than the likes of
Chris Carraba, although they do play suspiciously melodic pop punk. After
1999’s Nothing Gold Can Stay and 2000’s A New Found Glory, the
band did a stint with the Warped Tour, which led to both their 2002 album Sticks
and Stones and an invitation to tour with Warped a second time. "My
Friends Over You," from Sticks and Stones, was a hit single, and in
2004 the band released another LP, Catalyst.
The New York Dolls
The New York Dolls got their start in 1971 and found their Egyptian Jewish
guitarist, Sylvain Sylvain, in 1972. Originally named Sylvain Mizrahi, Sylvain
Sylvain was born in Cairo but moved to New York with his family as a young boy
to escape Gamel Abdel Nasser’s anti-Semitic policies. Like his famous designer
cousin Isaac, Sylvain exhibited a flair for fashion; he and his bandmates
became famous for dressing like Bowie while making noise like Iggy. Sadly, the
New York Dolls were too ahead of their time to ever have much commercial success
(record companies thought they were too vulgar, if you can believe such a
thing) but their albums New York Dolls (1973) and Too Much Too Soon
(1974) both went on to influence every kid who formed a punk band in the
following decade.
Randy Newman
Randy Newman is both a songwriter’s songwriter and a secular Jew’s secular Jew.
Best known for his satirical songs "Short People" (1977) and "I
Love LA" (1983), Newman has never been hugely commercial, but his work is
always complex, well-crafted, and sly. It also has been covered dozens of
times, by artists from Blood, Sweat and Tears to Joe Cocker to Dusty
Springfield, and Three Dog Night’s version of his "Mama Told Me Not To
Come" hit number one on the charts in 1970. Newman writes film soundtracks
as well as pop songs: his "If I Don’t Have You," from Monsters
Inc., won an Oscar in 1998. Both of his parents are Jewish, but Newman was
raised in a non-observant home, and his songs about religion – of which there
are quite a few – take an ambivalent, questioning perspective.
Nirvana
Georg Albert Ruthenberg better known as Pat Smear, is an American guitarist. Smear was a founding member of the influential punk band Germs, and was the additional live rhythm guitarist for the grunge band Nirvana. He is currently playing guitar in the rock band Foo Fighters,
Foo Fighters
NOFX
In the liner notes of their 1992 album White Trash, Two Heebs and a Bean,
NOFX provided handy visual aids for their fans. Drummer Eric Ghint was
represented by a can of Shaefer malt liquor. Guitarist Aaron Aheyta (aka El
Hefe) contributed a can of black beans. As for the band’s lead singer and other
guitarist, Fat Mike Burkett and Eric Melvin, they provided both matzah and
gefilte fish. In 1994, NOFX took the Jewish pride a step further with "The
Brews," from Punk in Drublic. The chorus announced: "Hey hey, we’re
the Brews/ sporting anti-Swastika tattoos/ Oi oi, we’re the boys/ Orthodox,
Hasidic, OG ois." When not playing his own snotty but wildly accessible
anti-corporate punk, Fat Mike releases albums by bands like Avail and No Use
for a Name on his Fat Wreck Chords label.
Phil
Ochs
One of the many Jewish luminaries of the early sixties Greenwich Village folk
scene, Phil Ochs is best known for the protest songs that made many critics
compare him to Bob Dylan. As a Jewish leftist, Ochs was committed to social
action through folk music. Ochs called himself a "singing
journalist," releasing his first album, All the News That’s Fit to Sing,
in 1964. Although he turned his focus to more personal matters as the sixties
moved on, releasing the successful love song "Changes" in 1966, Ochs
was present at the 1968 Democratic National Convention. After 1970, he left
folk music altogether, performing as an Elvis-esque fifties-era rocker in a
gold lame suit. His behavior became increasingly erratic, and in 1976 he
committed suicide.
Peaches
Raunchy electro rapper Peaches used to be music teacher Merrill Nisker; her
public persona may have changed, but she’s still a Canadian Jew. Read more
about her in Sarah Wildman's profile, coming soon.
Tom Petty and the Heartbreakers
Tom Petty’s backing band the Heartbreakers may seem awfully goyish, but the
drummer takes a menorah with him on every concert tour. (Well, if it’s menorah
season.) Stan Lynch began to play drums as an adolescent in Florida. On
occasion, he would fill in behind the kit of a local band, Mudcrutch, led by a
kid named Tom Petty. When Petty got signed in 1975, Lynch and some friends from
Florida became his backing band, eventually playing on hits like "American
Girl" (1976), "I Need to Know" (1978), and "Don’t Do Me
Like That" (1979). In 1982, the band gained another Jewish member, Howie
Epstein, who played bass for the Heartbreakers for twenty years before his
untimely death, of a heroin overdose, in 2003.
Phantom Planet
The guys of Phantom Planet are well-known multi-taskers: musicians, actors,
models, relatives of famous people. Not surprisingly for a bunch of Hollywood
kids, lead singer Alex Greenwald, former drummer Jason Schwartzman, and
guitarist Jacques Brauthbar are also all Jews. You’ve probably seen two of
these three fine young men on the big screen: Schwartzman starred in Rushmore,
and Greenwald played the bully Seth Devlin in Donnie Darko. And it’s a
safe bet that you’ve heard them on the small screen: their single
"California" is the theme song for Fox’s ubiquitous teen soap The
O.C. The band’s debut album, Phantom Planet Is Missing, came out in
1998; The Guest was released in 2001; 2004’s self-titled record was
Schwartzman’s last with the band.
Phish
Like the Grateful Dead, Phish play unstructured,
jammy, jazz-inflected music, tour incessantly, and occupy a special place in
the hearts of many a Jewish hippie. Phish have a leg up over their predecessors
in the Jewish department, though: the band has not one but two Jewish members.
Both drummer Jon Fishman and bassist Mike Gordon are Yids, making Phish
officially one-half Jewish. The band embraces its roots, playing "Yerushalayim
Shel Zhahav" and "Avenu Malkenu" in concert. Phish formed at
University of Vermont in the mid-eighties and were signed by Elektra in 1992.
By the release of their fifth album, 1994’s Hoist, they had a major
following among college kids. Tours with the H.O.R.D.E. festival, cameos on The
Simpsons, and many, many side projects boosted the attention they received
from the public, leading the band to tour until the summer of 2004, when they
officially quit after twenty years.
Porno
for Pyros
See Perry Farrell.
Princess
Superstar
"Princess" is a loaded word for many Jewish girls, but Concetta
Kirschner embraced it, taking Princess Superstar as the name of her hip-hop
alter ego. That didn’t seem like enough bravado, though, so she went on to name
her her record label A Big Rich Record Label and release the albums Strictly
Platinum (1996), CEO (1997), Last of the Great Twentieth Century
Composers (1999), and 2002’s Princess Superstar Is. Backed by major
critical love from CMJ and support from everybody from Kool Keith to Beth
Orton, Princess Superstar blends the braggadocio of hip-hop ladies like Lil Kim
with the chutzpah of your stereotypical Jewish princess.
Procol Harum
Procol Harum’s biggest hit, "A Whiter Shade of Pale," existed before
the band did. Jewish lyricist Keith Reid and singer/pianist Gary Brooker began
writing songs in 1967. They found the rest of the band by placing an ad in Melody
Maker and rehearsed as the Pinewoods before re-naming themselves Procol
Harum, after the Latin phrase for "far from these things." "A
Whiter Shade of Pale" was their first single and became one of the only
debut tracks to hit number one on the British charts on its first release. With
one song and no permanent band, Reid and Brooker rearranged their line-up and
only then recorded a whole album, 1967’s Procol Harum. They released Shine
on Brightly in 1968 and A Salty Dog in 1969, both of which charted
in the US. The next few years saw even more line-up mutations as well as a
shift in record labels, but despite all of the changes, Procol Harum remained a
popular prog-rock band throughout the seventies.
Joey
Ramone
Joey Ramone may not be the only Jew with a hip corner of downtown Manhattan in
his name (just ask the Lower East Side’s Rabbi Yaakov Spiegel). As the sole
Jewish Ramone, though, Joey definitely deserved the honor bestowed on him by
the City of New York, which named the corner of 2nd St and the Bowery
"Joey Ramone Place" after his death to cancer in 2001. Joey Ramone
was born Jeffrey Hymen in Forrest Hills, Queens, which was somewhat of a
breeding ground for Jewish rock stars; both Paul Simon and Art Garfunkel grew up there. Which is
fitting, because the Ramones were to punk something like what Simon &
Garfunkel were to sixties folk-rock: They weren’t necessarily the first, and
they weren’t necessarily the best, but they stamped their name on their genre
way few others ever could. None of their songs charted in the States when they
were released (although 1977’s "Sheena Is a Punk Rocker" did make the
British Top 40) but their sped-up, dumbed-down rock songs defined punk as we
know it.
Red Hot
Chili Peppers
The Chili Peppers formed out of a triumvirate of high school friends: Anthony
Kiedis, Michael Balzary (later known as Flea), and a Jewish guitarist named
Hillel Slovak. They got their start playing strip clubs as Tony Flow and the
Miraculously Majestic Masters of Mayhem, but changed their name in 1983,
shortly before signing with EMI. Slovak and drummer Jack Irons briefly took off
to form their own band, What Is This, but returned in time to play on 1985’s Freaky
Styley and 1987’s The Uplift Mofo Party Plan. Keidis and Slovak both
had heroin problems, though, and in 1988 Slovak died of an overdose. The Chili
Peppers rotated through a series of guitarists before settling on John
Frusciante, who has played with them on several chart-topping albums.
Lou Reed
In the pantheon of Jewish rock visionaries, Lou Reed (his father changed the
family name from Rabinowitz) ranks up there with Bob Dylan. As they say at
seder, if he’d only founded the most influential band of all time, it would
have been enough. But after his run with the Velvet Underground, once he’d made
it OK to sing about heroin and S&M and to use feedback and soundscapes in
rock songs, Lou Reed went on to release Transformer in 1972. If he had
only added New York grit to glam rock with an album produced by David Bowie and
featuring the Top 20 hit "Walk on the Wild Side," dayenu. But then
Reed put out 1973’s dark, elegant Berlin, somehow getting into the
British Top 10 despite not coming anywhere near the US. charts. That might have
been enough, but in 1975 he released Metal Machine Music, a two-CD album
with a very apt title. Had he only invented noise rock while conning his fans
into purchasing two discs of unlistenable screeching, dayenu – but Reed kept
going. His career highlights since the seventies include 1989’s critically
acclaimed New York, a tour with the re-formed Velvet Underground in
1993, and some theatrical endeavors. Which would have been enough, but Reed is
still going. Read more about Lou Reed in Subterranean Homeland Blues.
Jonathan Richman
If you want to be a cult rock star, it helps to begin your career from the
Velvet Underground’s manager’s couch. That’s where Jonathan Richman tried to
get his start in New York in 1969, and while he didn’t catch on in the NYC
scene, he did wind up with John Cale as the producer for his 1973 album with
his band the Modern Lovers. The self-titled disc didn’t come out until 1976,
but with songs like "Roadrunner" and "Pablo Picasso," it
went on to become a pre-punk classic. 1977’s Jonathan Richman & the
Modern Lovers and Rock and Roll with the Modern Lovers also
showcased Richman’s goofy, childlike pop songs. In the eighties. Richman
performed as a solo artist, finally emerging in the national eye in 1998 as a
troubadour in the film There’s Something about Mary.
David Lee
Roth
As Adam Sandler tells us on radio stations across the country every December,
David Lee Roth lights the menorah. Sandler’s not just being poetic with that
line: David Lee Roth is, and always has been, a proud Jewish rock star. Witness
that last name, left unabashedly Jewish while his more reticent peers took on
bland or silly monikers to hide their ethnic heritage. Roth was raised on the
chutzpah and showmanship of vaudeville performers like Al Jolson – not a
surprise, given his stage presence. He started playing with Eddie and Alex Van
Halen as part of the opening band for their shows as Mammoth and teamed up with
them to form Van Halen in the mid-seventies. Their self-titled first album came
out in 1978 and was a major hit. Van Halen II, Women and Children
First, Fair Warning, Diver Down, and 1984 came out in
the next six years and were all hugely successful. In 1985, Roth put out a solo
EP, Crazy from the Heat, presaging his departure from Van Halen by only
a few months. After more than ten years and several well-received discs
(including the single "California Girls"), Roth reunited with Van
Halen for the 1996 MTV Video Music Awards. Since then, his relationship with
his former band has been spotty, but Roth continues to tour like the unstoppable
Jewish showman he is. Read more about him in And the Dreidel Will Rock.
Rick Rubin
One of the two guys behind legendary hip-hop label Def Jam is Jewish. Hint:
it’s not Russell Simmons. Like seemingly every white guy in hip-hop in the 80s,
Rick Rubin was a Jewish New Yorker. He and Simmons met at NYU and founded Def
Jam out of a dorm room in 1984. By 1986 their label was part of Columbia and
they were the proud parents of two huge hits, the Beastie Boys’ License to Ill and
Run-DMC’s Raising Hell. Rubin produced both of those albums as well as
the follow year’s Yo! Bum Rush the Show, Public Enemy’s debut LP. By
then, though, the Def Jam partnership was breaking up, and Rubin left Simmons
to found his own label, Def American. Rubin always liked hard rock as much as
hip-hop, so it makes sense that he went on to sign Slayer and produce the
rock-inflected Public Enemy album It Takes a Nation of Millions to Hold Us
Back. 1991 saw a double coup for both of Rubin’s favorite genres: the Red
Hot Chili Peppers' Blood Sugar Sex Magik and Sir Mix-A-Lot’s hit single
and Bar Mitzvah dance party fave "Baby Got Back." Rubin is still
producing records today, though he’s long since dropped the "Def"
from his label name.
Rush
Everything about Rush, from the sci-fi-influenced lyrics to the virtuosic
musicianship to the very lengths of their songs, is grandiose and epic – which
is why, in the late seventies and early eighties, they were reviled by critics
and adored by teenaged boys. Geddy Lee, who is best known for his unnaturally
high-pitched singing voice (yes, he does speak like an ordinary guy), was born
Gary Lee Weinrib in 1953. His unusual nickname comes from his grandmother’s
Yiddish accented English, in which "Gary" became "Geddy."
Lee’s parents were Holocaust survivors who got married at Bergen-Belsen a few
months after the concentration camp was liberated. Like many survivors, they
were overprotective of their children, and young Geddy rebelled by turning to
music, not knowing that his father had been a musician before the war. Along
with guitarist Alex Lifeson and drummer Neil Peart, Lee has sold over 35
million albums in the course of his career. 1976’s 2112 went platinum,
1977’s A Farewell to Kings reached the top 40, and 1980’s Permanent
Waves, and 1981’s Moving Pictures spawned the radio hits "The
Spirit of Radio" and "Tom Sawyer."
Neil
Sedaka
The list of performers who have covered Neil Sedaka songs could take up his
entire bio. In the course of his career, Sedaka’s songs have been performed by
ABBA, the Carpenters, Sheryl Crow, Bobby Darin, Gloria Estefan, Carole King, Peggy Lee, and not one but
two TV bands (the Monkees and the Partridge Family). Sedaka grew up in
Brooklyn, the son of a Sephardic father and an Ashkenazi mother. He got his
start with the Tokens as a high school student, auditioning at the Brill
Building and signing to a small label. A few years later, he took time off from
Juilliard to work for another Brill Building publisher, Al Nevins and Don Kirschner’s
Aldon Music. With his songwriting partner Howard Greenfield, Sedaka wrote
dozens of songs, many of which hit the top ten. Meanwhile, his self-titled
debut album came out in 1959 and was nominated for a Grammy. His next Grammy
nomination came four years later for his famous "Breaking Up Is Hard to
Do," which would be nominated again after its revival in the
mid-seventies. Sedaka’s career was briefly unmade when Carole King, his old
girlfriend and the subject of his early single "Oh! Carol," released Tapestry
and ushered in an era of more contemplative, serious singer-songwriter pop.
His mid-seventies comeback on Elton John’s label re-established him as a force
in music, and he’s been around in some form ever since – most recently with 2003’s
Brighton Beach Memories: Neil Sedaka Sings Yiddish.
The Silver Jews
The Silver Jews have always played Rhoda to Pavement’s Mary, but David Berman’s
deadpan vocals and the band’s country slant makes them markedly different from
their more famous cohorts. Berman, who is also a published poet, started
playing with Stephen Malkmus and Bob Nastanovich while the three were
undergrads at the University of Virginia. At the same time, Malkmus founded
Pavement with a childhood friend and recruited Nastanovich as the drummer and
general noisemaker. Berman, Malkmus, and Nastanovich moved to New York after
graduating and continued playing together as the Silver Jews, but for years
Pavement’s success as the indie rock band of the early nineties eclipsed the
quieter, more lyrics-based Jews. After recording several EPs on a walkman, the
Silver Jews released Starlite Walker in 1994, followed by The Natural
Bridge in 1996. By 1998’s American Water, critics were hailing the
Silver Jews as better than Pavement. The genesis of their name, by the way,
remains a mystery: It might be a reference to either the Silver Apples or the
Silver Beatles, it might have something to do with blonds who are also Yids,
and it might just be more wordplay on the part of the band’s poetic frontman.
Carly Simon
The daughter of one of the founders of Simon & Schuster, Carly Simon played
in a band with her sister before releasing her solo debut in the early
seventies, just as the listening public developed an interest in confessional
singer-songwriters. "That’s The Way I’ve Always Heard It Should Be"
hit the top ten; the title single from her next album,
"Anticipation," reached the top forty. Both records were released in
1971, earning her that year’s Grammy for Best New Artist. Simon will always be
best known for the number-one single off her third album: "You’re So
Vain." It might have been about Mick Jagger, Warren Beatty, or Simon’s
then-husband James Taylor, but the singer wouldn’t say (and hasn’t, to this
day). Simon continued to sell phenomenally throughout the seventies, ultimately
releasing nine albums in that decade.
Paul Simon
Does it get more Jewish than a cameo in Annie Hall? Since his start as a
sixteen-year-old charting with "Hey Schoolgirl" in 1957, Paul Simon
has always been a Jewish musical hero. This is, after all, a guy who played
under the name "Jerry Landis" for a bit in 1963, making him perhaps
the only Jew in rock to ever try changing his name to something more Jewish. Of
course, he found real success recording under his real name with Art Garfunkel, but Simon was never
fully wedded to the duo. As early in 1965, he was recording as a solo artist in
Britain. From Wednesday Morning, 3 AM in 1964 to Bridge Over Troubled
Water in 1970, Simon and Garfunkel could be found in every college dorm in
America. Paul Simon, Simon’s first solo outing after the group split,
sold a million copies in 1972, as did the next year’s There Goes Rhymin’
Simon. Still Crazy After All These Years (1975) and Graceland (1986)
both won Grammy awards for Album of the Year. In the nineties, Simon’s foray
into Broadway, 1997’s Songs from the Capeman, was a flop, but his live
concert in Central Park at the start of the decade was a huge success,
cementing his role as the quintessential Jewish New Yorker.
Gene
Simmons
See Kiss.
Slash
Opinion is divided as to the Hebraic roots of this guitar hero. Maverick executive
Guy Oseary includes the former Saul Hudson in his book Jews Who Rock,
but Slash’s fansite makes a point of stating that "an Old Testament name
is not always indicative of a particular faith." Calls to Slash's
management weren’t returned, but we think it’s safe to trust the many sources
who say that his dad was Jewish, even if the man himself doesn’t spend much
time in shul. Slash got his start in rock in high school, when he befriended a
drummer named Steve Adler. After an unsuccessful stint playing as Road Crew,
the two formed Guns N’ Roses in 1985. 1987’s Appetite for Destruction
made them famous, but rumors of wild behavior, including Slash’s own heroin
addiction, kept them in the news. In the early nineties, Slash overcame his
drug problems and founded Slash’s Snakepit, which released It’s Five O’Clock
Somewhere in 1995. The following year he moved on to Slash’s Blues Ball, a
cover project, but the Snakepit reformed in 1999. Nowadays, of course, Slash is
involved in yet another band, the Scott Weiland-fronted supergroup Velvet
Revolver, which had a hit with 2004’s Contraband.
Sleater-Kinney
Fittingly, Sleater-Kinney’s best-known song off their best-known album is an
ode to a fellow Jewish punk icon. "I Wanna Be Your Joey Ramone," from
1996’s Call the Doctor, showcases the band’s signature ingredients:
Corin Tucker’s mad banshee yelp and Carrie Brownstein’s angular guitar. Both
Brownstein and drummer Janet Weiss, also of Quasi, are Jewish. Developing out
of the riot-grrl scene in the Northwest, Sleater-Kinney followed Call the
Doctor with a move to the veteran indie label Kill Rock Stars. Dig Me
Out was released in 1997, followed by The Hot Rock in 1999. All
Hands on the Bad One came out in 2000; by 2002’s One Beat, the trio
had more than earned their place as one of the stalwarts of the Kill Rock Stars
roster.
Dee
Snider
See Twisted Sister.
Phil Spector
Phil Spector was born with perfect pitch in the Bronx in 1940. His family moved
to LA after his father’s suicide, and he had his first hit as one of the Teddy
Bears in 1958 with "To Know Him is to Love Him," based on his
father’s epitaph. As a songwriter and producer, Spector worked with the
Beatles, the Righteous Brothers, Gene Pitney, and a number of girl groups, most
famously the Ronettes. His "wall of sound" style made him famous, but
his bizarre behavior also garnered attention: while recording Death of a
Ladies’ Man, Spector chased Leonard Cohen around his studio with a
loaded crossbow. Tragically, after a lifetime of hits like Let It Be and
Ike and Tina Turner’s "River Deep, Mountain High," Spector was
indicted for the murder of his neighbor, Lana Clarkson.
Regina Spektor
Regina Spektor was born in Moscow to a musical family; her father is an amateur violinist, and her mother was a music professor in a Russian conservatory. She began to study classical piano at the age of six. Her early exposure to music included tapes of The Beatles, Queen, and Moody Blues that her father procured by trading casettes with other friends in the Soviet Union. Her family emigrated to the US when she was nine years old, and settled in Bronx, NY. Regina Spektor's musical style can best be described as "eclectic;" a mix of hip hop, folk, indie, Jewish, Russian, and classical music. Her latest album "Begin to Hope" was released in the US in 2006.
Spirit
Read about Randy California and his band Spirit in Riffed Off.
Paul
Stanley
See Kiss.
Steely Dan
Jewish rock star dirty joke coincidence number two: while the Lovin Spoonful’ and 10CC are Jewish bands whose winking
names need no explanation, few know that both indie rockers Clem Snide and soft-rock intellectuals
Steely Dan are Jewish bands named after two of the cruder characters in William
S. Burroughs' Naked Lunch. Clem Snide might have taken their name from a
certain talking orifice, but Yiddish-fluent non-Jew Walter Becker and authentic
Hebraic rocker Donald Fagen went with the moniker of a giant dildo. It’s the
edgiest thing they’ve ever done, but the Dan has an enormous cult following. Can’t
Buy a Thrill came out in 1972 and contained "Do It Again" and
"Reeling in the Years," which both went to the top ten. Their next
hit single came in 1974, when "Rikki Don’t Lose that Number" from
their third album also entered the top ten. Katy Lied, The Royal Scam,
Aja, and Gaucho all did well during the end of the seventies, but
then Steely Dan went into hibernation, emerging in 2000 with the acclaimed Two
Against Nature. More than thirty years after the band first broke,
thousands of fans still come out to see the duo play their jazzy, sophisticated
pop live.
Chris
Stein
See Blondie.
The
Strokes
Depending on who is counting, there are either one or two Jewish Strokes.
Guitarist Nick Valensi is the son of a Tunisian Jew. And guitarist and
keyboardest Albert Hammond Jr told Rolling Stone in 2003 that he’d
informally converted to keep Valensi company. Whether or not informal hipster
conversations count for much in our 3000-year-old religion, the Strokes do make
a nice addition to the Jewish rock pantheon. Valensi met fellow Strokes
Fabrizio Moretti and Julian Casablancas at private school in Manhattan in 1998;
Hammond joined the band the following year. By 2000, the boys had developed a
reputation as the saviors of garage rock, and when Is This It came out
in 2001, they were greeted with a firestorm of hype. The media loved them and
hated them in equal measure; so too did their audience. But the band managed to
survive the frenzy at least long enough to release Room on Fire in 2003.
Sure, it sounded exactly like their previous album – but if it ain’t broke, as
they say…
T-Rex
Jewish Londoner and ex-model Marc Bolan got his start in a duo called
Tyrannosaurus Rex, playing folk songs with vaguely dippy titles (his best-selling
book of poetry, published in 1969, was called "The Warlock of Love").
The band’s name hinted at something slightly more off-kilter than folk music,
though, and in 1970 they streamlined it to T.Rex and released the fuzzed-out
"Ride a White Swan." The single hit number two in the UK and was
followed by a string of successes, including "Get It On," which
reached number one in the UK and number ten in the US. By 1973, T. Rex’s
hard-rock singles like "20th Century Boy" were defining glam rock for
the decade. Indeed, Bolan (né Feld) may not have kept his father’s name, but as
a fashion icon, he certainly did his Yiddishe papa proud: Like so many Jews
before him, Mr. Feld was a tailor.
10CC
Raunchy band names seem to be popular with Jewish rock stars; like the Lovin’ Spoonful, the British art-pop
band 10CC – named after the amount of semen supposedly ejaculated by the
average man – boasts several Jewish members. Initially called Hotlegs, the band
got its name from producer Jonathan King after he dreamed that a group called
10CC would someday be hugely successful. Indeed, 10CC scored several hits in
the 1970s, including "I’m Not In Love," which reached number-two in
the US charts in 1975. Three out of the four members of the band were Jewish:
Lol Crème, Kevin Godley, and vocalist/songwriter Gouldman, who has said that he
prefers writing in a minor key because he was raised hearing Jewish liturgical
chants in synagogue. Gouldman also wrote hits for the Yardbirds and Herman’s
Hermits, among others. Crème and Godley later gained minor fame as a
video-producing team in the eighties, when they made pioneering use of the same
morphing technology later seen in Michael Jackson’s video for "Black or
White."
Tiny Tim
Between the nose, the falsetto, and the bizarre behavior, Tiny Tim didn’t do
much for the reputation of the Jews worldwide. His own mother told Parade
magazine in 1968 that people tended to think he was meshuggenah. But Tiny Tim,
born Herbert Khaury, was simply a sweet, strange guy who wanted to make people
happy with his ukelele. In 1968, he appeared on Rowan and Martin’s Laugh-In
singing the old standard "Tip-Toe Through the Tulips" in an absurdly
high voice. This was the sixties, and people loved it. Tiny Tim’s first album, God
Bless Tiny Tim, sold 200,000 copies. He furthered his fame in 1969 by
marrying his teenaged girlfriend on the "Tonight" show. Despite his
novelty status, Tiny Tim toured for many years, only stopping in 1996 due to a
fatal heart attack that struck while he was playing "Tip-Toe Through the
Tulips" to a Minneapolis audience. Among the performers he influenced:
Paul McCartney, whose falsetto on "Honey Pie" on the "White
Album" is a Tiny Tim tribute.
The Tokens
The Tokens might be the most Jewish group of early rock and roll. Every member
was raised in a Jewish home, and their frontman, Jay Siegel, considered
becoming a cantor. Perhaps most Jewish of all, the Tokens developed out of the
Linc-Tones, a vocal group founded by master Jewish songwriter Neil Sedaka. Sedaka left the group long
before their first hit, 1961’s "Tonight I Fell in Love." Their real
claim to posterity came a year later, when they re-worked the Weaver’s version
of the South African folk song "Mbube," or "Wimoweh." You
probably know it by another name, and you might picture it being sung by a
cartoon warthog, but in 1962, "Mbube/Wimoweh," otherwise known as
"The Lion Sleeps Tonight," was a massive hit attached to a bunch of
Jewish boys from New York City. It hit number one in 36 countries – including
Israel.
Twisted
Sister
Rumor has it that Gene Simmons, Paul Stanley, and a third Jewish New
Yorker named John Segal played together in a band called Rainbow, back in 1970.
This wasn’t the same Rainbow fronted by Ronnie James Dio—that would have been
too much rawk for any one band to sustain—but it was the same John Segal who
founded Twisted Sister in 1972. Calling himself J.J. French, Segal recruited a
number of musicians to help him with his mission, which was to sound like the New York Dolls. When a half-Jewish guy
named Dee Snider joined the band in 1976, though, Twisted Sister lost some of
their glam schtick and developed a harder sound. Playing with the Dictators' former bassist, the band
became local legends, releasing singles on their own label TSR. They finally
signed to Atlantic nearly a decade after French had founded the band, and in
1984 released the multi-platinum-selling Stay Hungry. The singles
"We’re Not Gonna Take It" and "I Wanna Rock" took full
advantage of the new medium of MTV. Within a year, the band had gone from
underground metal darlings to monsters of rock, so the backlash may have been
inevitable. The band released a few more albums but never quite returned to
their all-too-brief Stay-Hungry-era glory. These days, Snider can be
seen on VH1, where he’s often a talking head alongside fellow Challah Famer Scott Ian. In April of this year,
Snider, Ian, and J.J. French hosted VH1’s Passover special "Matzo and
Metal."
Van
Halen
See David Lee Roth.
(
Lewis Allan "Lou" Reed was an American musician, singer, and songwriter. He was the guitarist, vocalist, and principal songwriter of the Velvet Underground,
Veruca
Salt
You might not expect a band named after a character by the famously
anti-Semitic Roald Dahl to contain members of the tribe, but both Nina Gordon
and Louise Post of Veruca Salt are Jewesses. So was the band’s drummer, James
Shapiro, Gordon’s big brother – unlike his sister, he uses their father's last
name instead of their mother's. In the nineties, Veruca Salt had a major
alterna-hit with their Pixies-influenced single "Seether." Despite
the fact that their first album, American Thighs, was produced by Liz
Phair knob-twiddler Brad Wood and released on the Chicago indie Minty Fresh,
Veruca Salt never had much cred. But "Seether" stormed the charts,
even on finicky college radio stations, and the record went gold. After the
band signed with Geffen, their follow-ups Blow It Out Your Ass It’s Veruca
Salt (1996) and Eight Arms to Hold You (1997) couldn’t redeem their
tarnished image, even though the former was produced by another Midwestern
indie hero, Steve Albini. In 1998, the band split up and Gordon went solo.
WAR
It’s somewhat ironic that horn player Lee Oskar ended up in a band called WAR,
since he left his native Denmark in 1966 to get away from the aftermath of
World War II. Oskar’s father had worked for the Danish resistance; his mother
was a concentration camp survivor. Oskar grew up feeling hemmed in by his
parents’ caution and fled to the US as soon as he could. In Los Angeles, he met
Eric Burdon and the rest of the members of WAR; at the time, they were all
playing in a band backing up the failing singing career of former LA Rams
linebacker Deacon Jones. The new group released their first album as Eric
Burdon and War in 1970, scoring a number-three hit with "Spill the
Wine." Their real breakthrough came a few years later, after Burdon left
the group, when WAR released the best-selling album of 1973. Poignantly for a
band consisting of six black men from LA and one European Jew, the record was
titled The World is a Ghetto. Both the title track and "The Cisco
Kid" became top ten hits; later, singles like "Low Rider" and "Why
Can’t We Be Friends" (both 1975) cemented their fame for the ages.
Max
Weinberg
Bruce Springsteen isn’t Jewish, but his drummer is. Max Weinberg, the man
Springsteen called "the best thing" on Born in the USA, has
been proving that Jews do have rhythm since 1974, when he auditioned for the E
Street Band. "Mighty Max," as Bruce calls him, has played on Born
to Run, Darkness on the Edge of Town, The River, and Born
in the USA. He also lent his straight-ahead, no-frills style to Meat Loaf’s
Bat Out of Hell in 1977, and for one week in 1983, he could be heard on
both the number-one and number-two tracks on the charts: "Total Eclipse of
the Heart" by Bonnie Tyler and "Making Love Out of Nothing at
All" by Air Supply. After the E Street Band went on hiatus, Weinberg spent
some time as a record producer and tried going back to school, although he kept
drumming in bar mitzvah bands. In 1993, a chance meeting with Conan O’Brien led
to a gig leading the band on O’Brien’s new late-night show. Weinberg has since
gone back to Springsteen’s reunited E Street Band, but he still leads the Max
Weinberg Seven on Conan every night. Meanwhile, E Street Band keyboardist Roy
Bittan is also a Jew, as well as the first person ever to write an original
song for Bruce: "Roll of the Dice," from 1992’s Human Touch.
Leslie
West
See Mountain.
Peter Wolf
See the J. Geils Band.
Peter
Yarrow
Despite their New Testament name, Peter, Paul and Mary were one-third
Israelite. Peter Yarrow wasn’t raised in a particularly religious household,
but like many of the Jewish folksingers of the sixties, he based his career on
the very Jewish concept of healing the world – tikun olam. Inspired by Pete
Seeger, Yarrow took up the guitar in high school. After graduating from
Cornell, he met Noel Paul Stookey and Mary Travers in Greenwich Village, and
the three formed a folk trio. Their self-titled album had hits in 1962 with
"Lemon Tree" and the Pete Seeger song "If I Had a Hammer."
In 1963, they released Moving, which contained Yarrow’s classic
children’s song "Puff the Magic Dragon," and In the Wind,
which contained their hit covers of Bob Dylan’s "Blowing in the Wind"
and "Don’t Think Twice." They backed up their musical convictions
with social action, marching against segregation and apartheid. Yarrow never
talked much about his Jewish background, but when his bandmates asked him to write
a Hanukkah song in 1983, he came up with "Light One Candle," still a
staple of Hebrew school singalongs today.
The Yeah
Yeah Yeahs
Of the neo-garage bands to come out of New York in the past few years, the Yeah
Yeah Yeahs might be the most notoriously over-hyped. Which is not to say they
don’t deserve the praise – it’s just that their live shows had critics raving
before they’d ever released a full LP, creating a very imbalanced ratio of
praise to recordings. The Yeah Yeah Yeahs' self-titled EP came out in 2001.
After several years of touring with hipster behemoths like the Strokes and the
White Stripes, the band finally released an album, Fever to Tell, which
contained the single "Maps." The jury is still out on lead singer
Karen O (does that stand for "Oy"?) and guitarist Nick Zinner, but
drummer Brian Chase definitely qualifies as a Jewish rocker.
Yes
In 1981, Yes broke up, and bassist Chris Squire set about forming a new group
called Cinema. He recruited Yes drummer Alan White, Yes keyboardist Tony Kaye,
and a South African Jewish guitarist named Trevor
Rabin. Then Yes vocalist Jon Anderson asked if he could get involved, and
Squire realized that he had virtually re-formed his old band. This proved to be
the most commercially successful of the many incarnations Yes took during their
thirty-year career. After over a decade of recording songs four times as long
as anything on the radio and inspired by Stravinsky, Yes released a dance-pop
album, 90125. Rabin’s contributions included the single "Owner of a
Lonely Heart," which became Yes’s only number-one hit. In his native
country, Rabin had been similarly successful, fronting the pop band Rabbitt,
which has been called South Africa’s answer to the Beatles. Rabin, who changed
his name from Rabinowitz, was raised in a Reform household. He grew up
observing Shabbat and singing in his synogogue choir, and despite the name
change, he has never really left Judaism. In 2004, he told the San Diego Jewish
journal that it helps to be a Jew in the world of rock and roll, because so
many other musicians are also MOT. Indeed, Rabin wasn’t the only Jew affiliated
with Yes—their manager, Brian Lane,
was born Harvey Freed.
Yo La Tengo
Every Hanukkah, Yo La Tengo puts on an eight-day show at Maxwell’s, the veteran
rock club in Hoboken. Frontman Ira Kaplan, who has been called "the Jewish
Jimi Hendrix," brings his Jersey hometown covers by Jews ranging from Neil
Diamond to the Ramones. Yes, they’ve put out Christmas EPs – but for their
December devotion, Yo La Tengo might win the title of the most Jewish band in
indie rock. With their marriage of soaring noise tapestries and sixties pop
confections, they’re also one of the most influential. Debuting in 1986 with Ride
the Tiger, the band gained steam throughout the end of the decade. In 1993
the band signed with Matador and released Painful, beginning their
journey towards elder-statesmanship with a series of albums that managed to be
hugely innovative while taking a major cue from the Velvet Underground. Electr-O-Pura
(1995), I Can Hear the Heart Beating As One (1997), and …And Then
Nothing Turned Itself Inside Out (2000) all feature songs made out of
layers of sound as bright, dense, and strange as the clouds above North Jersey.
Most recently, they’ve covered Sun Ra’s "Nuclear War" and released Summer
Sun (2003).
Warren
Zevon
Warren Zevon lived a life straight out of a Tom Waits song. The young Zevon’s
Jewish father was a professional gambler and prizefighter; along with his
Mormon mother, Warren grew accustomed to moving every time Mr. Zevon’s fortunes
changed for the worse. In LA, young Warren picked up piano, studying under Igor
Stravinsky. When his parents divorced, the sixteen-year-old Zevon took off to
New York in his father’s Corvette, where he began writing sharp, satirical
songs about lives as tough as his own. 1969’s Wanted Dead or Alive gained
little attention, but critics fell in love when they discovered his self-titled
1976 album, which was produced by Jackson Browne. The single "Werewolves
of London," from 1978’s Excitable Boy, was his first big hit. But
Zevon’s alcoholism got the better of him in the eighties, despite the critical
praise won by The Envoy in 1982. He resurfaced in 1987 with Sentimental
Hygiene, backed by members of REM, and followed it with several
well-received albums in the late eighties and nineties. Not longer after the
2002 release of My Ride’s Here, Zevon was diagnosed with a rare form
lung cancer usually associated with asbestos poisoning. He died the following
year after putting out one final album, The Wind.
John
Zorn
John Zorn is downtown New York’s emissary of radical Jewish culture – a phrase
which, not coincidentally, is the rallying cry of his record label, Tzadik. As
a composer and saxophonist, Zorn has always been equally influenced by Jewish
culture and the lure of the experimental. He gained a cult following in the
nineties with his rock band Naked City, which brought free jazz to post-rock as
a sort of downtown experimentalist supergroup. After Naked City dissolved, Zorn
formed Masada, for which he has written over two hundred pieces exploring
Judaism through avant-garde composition. Meanwhile, since 1995, Tzadik has been
promoting experimental Jewish music through its Radical Jewish Culture project.
SINGERS
Metropolitan Opera
Jan Peerce (born Jacob Pincus Perelmuth)
Robert Merrill
Roberta Peters
Beverly Sills
Richard Tucker
POPULAR
The Ames Brothers
Fannie Brice
Eddie Cantor (born Edward Israel Iskowitz)
Harry Connick Jr.
Taylor Dayne (born Leslie Wunderman)
Bob Dylan (born Robert Allan Zimmerman)
Mama Cass Elliott (born Ellen Naomi Cohen)
Eddie Fisher
Al Jolson (born Asa Yoelson)
Bruno Mars
Mitchell William "Mitch" Miller
Mac Miller (born Malcolm Mc Cormick) rapper
Pink (born Alecia Beth Moore)
Elvis Presley
David Lee Roth (VAN HALLEN)
Neil Sedaka
Dinah Shore (born Frances Rose Shore)
Gene Simmons (born Chaim Weitz) (KISS)
Paul Simon
Sophie Tucker (born Sonya Kalish)
SYMPHONY CONDUCTORS
Maurice Abravanel Conductor Metropolitan Opera, Utah Symphony
Kurt Adler Conductor Metropolitan Opera\
Frank Heino Damrosch was a German-born American music conductor and educator. In 1905, Damrosch founded the New York Institute of Musical Art, a predecessor of the Juilliard School.
Leopold Damrosch was a German American orchestral conductor and composer.
Walter Johannes Damrosch was a German-born American conductor and composer. He is best remembered today as long-time director of the New York Symphony Orchestra and for conducting the world premiere performances of George Gershwin's Piano Concerto in F (1925) and An American in Paris (1928). Damrosch was also instrumental in the founding of Carnegie Hall. He also conducted the first performance of Rachmaninoff's
third piano concerto with Rachmaninoff himself as a soloist.
Sir George Henschel
Otto Klemperer Conductor Los Angeles Philharmonic
Sege Kousevitsky
Pierre Monteux
Eugene Ormandy ( born Jeno Blau) conductor
Kirill Petrenko, conductor of the Berlin Philharmonic, director of the Bavarian State Opera in Munich
William Steinberg (born Hans Wilhelm Steinberg) conductor
Benjamin Zander
Since 1979, Benjamin Zander has been the conductor of the Boston Philharmonic. He is known around the world as both a guest conductor and a speaker on leadership -- and he's been known to do both in a single performance. He uses music to help people open their minds and create joyful harmonies that bring out the best in themselves and their colleagues.
· Karel Ančerl
· Vladimir Ashkenazy 1
· Moshe Atzmon
· John Axelrod
· Carl Bamberger
· Daniel Barenboim
· Rudolf Barshai
· Sir Julius Benedict
· Leonard Bernstein
· Gary Bertini
· Stanley Black
· Leo Blech
· Artur Bodanzky
· Leon Botstein
· Semyon Bychkov
· Edouard Colonne
· Sergiu Comissiona
· Sir Michael Costa
· Sir Frederic Hymen Cowen
· Leopold Damrosch
· Walter Damrosch
· Harry Ellis Dickson
· Issay Dobroven
· Antal Doráti 2
· Percy Faith
· Arthur Fiedler
· Adam Fischer
· Ivan Fischer
· Lukas Foss
· Oskar Fried
· Ossip Gabrilowitsch
· Michael Gielen 3
· Vladimir Golschmann
· David Handel
· Sir George Henschel
· Ferdinand Hiller
· Jascha Horenstein
· Eliahu Inbal
· Mariss Jansons 4
· Vladimir Jurowski
· Isaac Karabtchevsky
· Istvan Kertész
· Paul Kletzki
· Kirill Kondrashin 5
· André Kostelanetz
· Serge Koussevitzky
· Yakov Kreizberg
· Josef Krips 6
· Emmanuel Krivine
· René Leibowitz
· Erich Leinsdorf
· Hermann Levi
· Yoel Levi
· James Levine
· Norman Luboff
· Lorin Maazel
· Gustav Mahler
· Walter Burle Marx
· Felix Mendelssohn
· Mitch Miller
· Marc Minkowski 7
· Pierre Monteux
· André Previn
· Eve Queler
· Fritz Reiner
· Steven Richman
· Artur Rodzinsky
· Sir Landon Ronald
· Manuel Rosenthal
· Julius Rudel
· Max Rudolph
· Victor de Sabata 8
· Rico Saccani
· Kurt Sanderling
· Gerard Schwarz
· Rudolf Schwarz
· George Sebastian
· José Serebrier
· Fabien Sevitzky
· Dmitry Sitkovetsky
· Leonard Slatkin
· Sir Georg Solti
· Josef Stransky
· Adrian Sunshine
· Walter Susskind
· George Szell
· Yoav Talmi
· Kate Tamarkin
· Henri Temianka
· Michael Tilson Thomas
· Georg Tintner
· Alfred Wallenstein
· Bruno Walter
· Israel Yinon
· David Zinman
Ventriloquists
Shari Lewis Lamb Chop
Mallory Tarcher (daughter of Shari Lewis)
Used her mother’s Lamb Chop hand puppet
Paul Winchell (born Paul Wilchinsky) Jerry Mahoney Knucklehead Smiff
Winchell, who had medical training, was also an inventor, becoming the first person to build and patent a mechanical artificial heart, implantable in the chest cavity (US Patent #3097366).
Voices
Matthew Bennett (Cuban and Jewish heritage)
He is best known for playing the role of Robbie Shapiro in the Nickelodeon sitcom Victorious and for starring in the Will Ferrell-produced film The Virginity Hit.
Melvin Jerome Blanc became known as the voices of Bugs Bunny, Daffy Duck, Porky Pig, and most of the other characters from the Looney Tunes. He later voiced characters for Hanna-Barbera's television cartoons, including Barney Rubble on The Flintstones and Mr. Spacely on The Jetsons.
Wayne Federman
He was the voice of the talking ham and cheese sandwich in the long-running Florida Orange Juice campaign.
He also provided voices for the animated series The Wild Thornberrys, King of the Hill, and American Dad!, as well as the voice of Cartoon Friday on the Cartoon Network.
Otto Sol Petersen
Ventriloquist, comedian, and actor known for his act Otto and George,
Alan Reed (born Herbert Theodore Bergman)
Actor and Original voice of Fred Flintstone
David Strassman
An American ventriloquist, stand-up comedian, actor, voice artist, and comedian. He is best known for his ventriloquism act with Chuck Wood and Ted E. Bare.
Meet the Harlem Globetrotters’ Jewish Basketball-Spinning Founder
· Abe Saperstein
The Harlem Globetrotters are known for gravity-
defying slam dunks, trick shotss and improbable long shots. What’s less known is that the razzle-
dazzle comedic showmanship was the idea of
British-born Jewish businessman Abe Saperstein.
- Saperstein was a leading figure in black
- basketball and baseball from the ‘20s to the ‘50s, before those sports were racially integrated. In the Trotters’ early days he was their owner, coach, trainer, booking agent, PR director, chauffeur, and occasional substitute player. At the height of the Great Depression, he drove the team’s five players around the Midwest in his Ford Model T to play in small farm towns.
- Saperstein worked tirelessly, taking off only one day per year: Yom Kippur. The Globetrotters became a powerhouse under his leadership. In 1940 they beat the legendary black basketball team, the New York Renaissance, and in 1948 they defeated the Minneapolis Lakers, the best team in the all-white NBA.
- Their success helped pave the way for basketball’s integration. Ex-Globetrotters were among the first black players to sign contracts with the NBA. Saperstein died in 1966 and was elected to the Basketball Hall of Fame in 1979. At 5 feet 3 inches, he is its shortest male member.